LEADER 04008oam 2200541 c 450 001 9910957438803321 005 20260102090118.0 010 $a3-8498-1612-5 024 3 $a9783849816124 035 $a(CKB)4100000011231607 035 $a(MiAaPQ)EBC6269107 035 $a(Aisthesis Verlag)9783849816124 035 $a(EXLCZ)994100000011231607 100 $a20260102d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPictorial Irony, Parody, and Pastiche$eComic interpictoriality in the arts of the 19th and 20th centuries$fMargaret A. Rose 205 $a2nd ed. 210 $aBielefeld$cAisthesis Verlag$d2020 215 $a1 online resource (342 pages) $cillustrations 311 08$a3-89528-841-1 320 $aIncludes bibliographical references (pages [297]-328) and index. 327 $aAcknowledgements Introduction Chapter 1. Varieties of Comic Interpictoriality I 1.1. Introduction 1.2. Parody 1.3. Meta-art 1.4. Irony 1.5. Satire 1.6. Parody, irony, and satire compared Chapter 2. Varieties of Comic Interpictoriality II 2.1. Pastiche and comic pastiche 2.2. In performance art, photography, and film 2.3. In installation art and sculpture 2.4. Caricature 2.5. Visual puns Chapter 3. Signals of Parodic Interpictoriality 3.1. Introduction 3.2. Signals of parody 3.3. The Reader/Spectator 3.4. The Recognition of Parody 3.5. Attitudes of the parodist to the work parodied 3.6. Public and private parody Chapter 4. Pictorial Irony, Parody, and Pastiche across Time 4.1. Introduction 4.2. ?Choices of Hercules? 5. Conclusion 6. Bibliography 7. Index of Artists Named 330 $aMargaret A. Rose is an internationally recognised author of books on the history, theory, and practice of parody. In this new study she turns her attention to the visual arts and to the use in them of forms of comic interpictoriality in the 19th and 20th centuries. In addition to examining examples of pictorial irony, parody, and pastiche, as well as of satire and caricature, this study discusses the distinctions that can be made between these forms, as well as between the new hybrid varieties of them that have developed, and looks at the role played by both artist and spectator in their reception and development. Earlier books by Dr. Rose related to this subject include her Die Parodie: Eine Funktion der biblischen Sprache in Heines Lyrik, Meisenheim am Glan 1976, Parody//Meta-Fiction: an analysis of parody as a critical mirror to the writing and reception of fiction (London 1979), The post-modern and the post-industrial: a critical analysis (Cambridge 1991), and Parody: ancient, modern, and post-modern (Cambridge 1993). Other relevant works include her three most recent books published by the Aisthesis Verlag, Bielefeld: Theodor Mintrop. Das Album für Minna (1855-1857) nebst anderen neuentdeckten Materialien (Bielefeld 2003), Parodie, Intertextualität, Interbildlichkeit (Bielefeld 2006), and Flaneurs & Idlers. Louis Huart ?Physiologie du flaneur? (1841) & Albert Smith ?The Natural History of the Idler upon Town? (1848) (Bielefeld 2007). In addition to these books Dr. Rose has recently completed articles on the subjects of 19th century caricature, the grotesque and parody, Karl Rosenkranz?s ?Aesthetics of the Ugly?, and on parody in 19th Century British and German art. 606 $aInterpictoriality 606 $aIrony 606 $aPastiche 606 $aParody 606 $aSatire 606 $aMeta-Art 615 4$aInterpictoriality 615 4$aIrony 615 4$aPastiche 615 4$aParody 615 4$aSatire 615 4$aMeta-Art 676 $a700.418 700 $aRose$b Margaret A$4aut$0186864 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910957438803321 996 $aPictorial irony, parody, and pastiche$94004762 997 $aUNINA