LEADER 03972nam 22010095 450 001 9910957093803321 005 20240718184239.0 010 $a9786611362737 010 $a9781281362735 010 $a1281362735 010 $a9780230604193 010 $a0230604196 024 7 $a10.1057/9780230604193 035 $a(CKB)1000000000342419 035 $a(EBL)307667 035 $a(OCoLC)314774221 035 $a(SSID)ssj0001657444 035 $a(PQKBManifestationID)16439810 035 $a(PQKBTitleCode)TC0001657444 035 $a(PQKBWorkID)14989187 035 $a(PQKB)10430557 035 $a(SSID)ssj0000122960 035 $a(PQKBManifestationID)11132434 035 $a(PQKBTitleCode)TC0000122960 035 $a(PQKBWorkID)10131579 035 $a(PQKB)10623104 035 $a(DE-He213)978-0-230-60419-3 035 $a(MiAaPQ)EBC307667 035 $a(Au-PeEL)EBL307667 035 $a(CaPaEBR)ebr10175720 035 $a(CaONFJC)MIL136273 035 $a(Perlego)3501142 035 $a(EXLCZ)991000000000342419 100 $a20151201d2007 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aClass Representation in Modern Fiction and Film /$fby K. Gandal 205 $a1st ed. 2007. 210 1$aNew York :$cPalgrave Macmillan US :$cImprint: Palgrave Macmillan,$d2007. 215 $a1 online resource (239 p.) 300 $aDescription based upon print version of record. 311 08$a9781349537921 311 08$a1349537926 311 08$a9781403977922 311 08$a1403977925 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; List of Abbreviations; Acknowledgments; Introduction: An Apology for Studying Class, Not Culture; Part I: Slumming Drama; Chapter 1 Award-Winning Hollywood Blockbusters; Chapter 2 A Shameful Look at Zora Neale Hurston; Part II: Class and Status Trauma; Chapter 3 Nauseating Indie Films; Chapter 4 A Spiritual Autopsy of Stephen Crane; Part III: Slumming Trauma; Chapter 5 The Cult Film Fight Club; Chapter 6 Henry Miller and the Embrace of Defilement; Appendix: Michel Foucault's Shame: Epistemology in a Closet; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S 327 $aTU; V; W; Y 330 $aA fresh exploration of the representation of poverty and class in American literature and film, through the juxtaposition of films, writings and the unusual lives of Zora Neale Hurston, Stephen Crane, Henry Miller and Michel Foucault. The book argues for Hurston's centrality, not merely to the African-American canon, but to the American tradition. 606 $aAmerica$xLiteratures 606 $aSports$xSociological aspects 606 $aMotion pictures 606 $aTelevision broadcasting 606 $aLiterature, Modern$y20th century 606 $aLiterature$xPhilosophy 606 $aCulture$xStudy and teaching 606 $aNorth American Literature 606 $aSport Sociology 606 $aFilm and Television Studies 606 $aTwentieth-Century Literature 606 $aLiterary Theory 606 $aCultural Theory 615 0$aAmerica$xLiteratures. 615 0$aSports$xSociological aspects. 615 0$aMotion pictures. 615 0$aTelevision broadcasting. 615 0$aLiterature, Modern 615 0$aLiterature$xPhilosophy. 615 0$aCulture$xStudy and teaching. 615 14$aNorth American Literature. 615 24$aSport Sociology. 615 24$aFilm and Television Studies. 615 24$aTwentieth-Century Literature. 615 24$aLiterary Theory. 615 24$aCultural Theory. 676 $a810.9355 700 $aGandal$b Keith$01791295 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910957093803321 996 $aClass Representation in Modern Fiction and Film$94328436 997 $aUNINA