LEADER 02834nam 22006375 450 001 9910798124803321 005 20200919180733.0 010 $a1-137-08751-X 024 7 $a10.1007/978-1-137-08751-5 035 $a(CKB)3710000000653208 035 $a(SSID)ssj0001668924 035 $a(PQKBManifestationID)16460743 035 $a(PQKBTitleCode)TC0001668924 035 $a(PQKBWorkID)12560182 035 $a(PQKB)10367938 035 $a(DE-He213)978-1-137-08751-5 035 $a(MiAaPQ)EBC4716764 035 $a(EXLCZ)993710000000653208 100 $a20160224d2009 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aDiasporic Avant-Gardes$b[electronic resource] $eExperimental Poetics and Cultural Displacement /$fedited by C. Noland, B. Watten 205 $a1st ed. 2009. 210 1$aNew York :$cPalgrave Macmillan US :$cImprint: Palgrave Macmillan,$d2009. 215 $a1 online resource (XIII, 274 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-230-61629-1 311 $a0-230-10272-7 320 $aIncludes bibliographical references and index. 330 $aDiasporic Avant-Gardes draws into dialogue two differing traditions of poetic practice: the diasporic and the avant-garde. This interdisciplinary collection examines the unacknowledged affinities (and crucial differences) between avant-garde and diasporic formal strategies and social formations. The essays foreground the creation of experimental forms and investigate the specific contexts of cultural displacement and language use that inform their poetics. 606 $aLiterature    606 $aAmerica?Literatures 606 $aLiterature?Philosophy 606 $aPoetry 606 $aPostcolonial/World Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/838000 606 $aNorth American Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/834000 606 $aLiterary Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/812000 606 $aPoetry and Poetics$3https://scigraph.springernature.com/ontologies/product-market-codes/824000 615 0$aLiterature   . 615 0$aAmerica?Literatures. 615 0$aLiterature?Philosophy. 615 0$aPoetry. 615 14$aPostcolonial/World Literature. 615 24$aNorth American Literature. 615 24$aLiterary Theory. 615 24$aPoetry and Poetics. 676 $a809.1 702 $aNoland$b C$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aWatten$b B$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910798124803321 996 $aDiasporic Avant-Gardes$93688104 997 $aUNINA LEADER 02375aam 2200373 n 450 001 9910874772303321 005 20250618102223 010 $a83-8142-177-2 035 $a(CKB)4100000007927553 035 $a(ceeol)ceeol843692 035 $a(CEEOL)843692 035 $a(EXLCZ)994100000007927553 100 $a20252218d2018 ||l | 101 0 $apol 200 1 $aMuzyka, Literatura, Filozofia. O filozoficznych w?tkach w twórczo?ci Ryszarda Wagnera i w Ulissesie Jamesa Joyce?a$fMarek Rosiak 210 $a?ód? [Poland] $cWydawnictwo Uniwersytetu ?ódzkiego$d2018 215 $a1 online resource (1 p. 292) 225 $aUniwersytet ?ódzki 311 08$a83-8142-176-4 330 $aAn attempt to identify and interpret philosophical themes appearing in the dramatic output of Richard Wagner is an essential part of the publication. Presenting my own interpretation, I lay no claim to its exclusive accuracy. In my opinion, every great work of art ? to which Tristan und Isolde, The Ring of the Nibelung cycle or Parsifal undoubtedly belong ? has a universal message, which means it can be understood in different ways. My analyses on Wagner are completed by a study on absolute music in which I discuss the concept of expressing a certain programmme in music that has no relation to a literary text. The last part of the book concerns itself with the peregrination of the hero of Joyce?s Ulysses from the perspective of transcendental philosophy. Although it is not known if Joyce had studied Husserl?s phenomenology, we can draw a parallel between the contents of his work and the issue of transcendental solipsism that Husserl tackled in the Fifth Cartesian Meditation. Transcendental perspective makes it possible to view the series of incidents befalling Leopold Bloom as a process akin to the progress of a musical piece. 606 $aPhilosophy 606 $aMusic 606 $aStudies of Literature 615 0$aPhilosophy 615 0$aMusic 615 0$aStudies of Literature 700 $aRosiak$b Marek$01826652 712 02$aCentral and Eastern European Online Library 801 0$bceeol 801 1$bceeol 906 $aBOOK 912 $a9910874772303321 996 $aMuzyka, Literatura, Filozofia. O filozoficznych w?tkach w twórczo?ci Ryszarda Wagnera i w Ulissesie Jamesa Joyce?a$94394677 997 $aUNINA LEADER 03626nam 2200721Ia 450 001 9910957009603321 005 20251116150913.0 010 $a9780520938632 010 $a0520938631 010 $a9781598755442 010 $a1598755447 024 7 $a10.1525/9780520938632 035 $a(CKB)1000000000030792 035 $a(EBL)231928 035 $a(OCoLC)475938395 035 $a(SSID)ssj0000277835 035 $a(PQKBManifestationID)11207632 035 $a(PQKBTitleCode)TC0000277835 035 $a(PQKBWorkID)10240777 035 $a(PQKB)11387259 035 $a(StDuBDS)EDZ0000055936 035 $a(DE-B1597)519141 035 $a(OCoLC)1110708980 035 $a(DE-B1597)9780520938632 035 $a(Au-PeEL)EBL231928 035 $a(CaPaEBR)ebr10079956 035 $a(OCoLC)437146304 035 $a(Perlego)551825 035 $a(MiAaPQ)EBC231928 035 $a(iGPub)CSPLUS0077705 035 $a(EXLCZ)991000000000030792 100 $a20041018d2005 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe China mystique $ePearl S. Buck, Anna May Wong, Mayling Soong, and the transformation of American Orientalism /$fKaren J. Leong 205 $a1st ed. 210 $aBerkeley, Calif. $cUniversity of California Press$d2005 215 $a1 online resource (263 p.) 300 $aDescription based upon print version of record. 311 08$a9780520244238 311 08$a0520244230 311 08$a9780520244221 311 08$a0520244222 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIllustrations --$t1. Gendering American Orientalism --$t2. Pearl Sydenstricker Buck --$t3. Anna May Wong --$t4. Mayling Soong --$t5. Transforming American National Identity- The China Mystique --$tNotes --$tBibliography --$tAcknowledgments --$tIndex 330 $aThroughout the history of the United States, images of China have populated the American imagination. Always in flux, these images shift rapidly, as they did during the early decades of the twentieth century. In this erudite and original study, Karen J. Leong explores the gendering of American orientalism during the 1930's and 1940's. Focusing on three women who were popularly and publicly associated with China-Pearl S. Buck, Anna May Wong, and Mayling Soong-Leong shows how each negotiated what it meant to be American, Chinese American, and Chinese against the backdrop of changes in the United States as a national community and as an international power. The China Mystique illustrates how each of these women encountered the possibilities as well as the limitations of transnational status in attempting to shape her own opportunities. During these two decades, each woman enjoyed expanding visibility due to an increasingly global mass culture, rising nationalism in Asia, the emergence of the United States from the shadows of imperialism to world power, and the more assertive participation of women in civic and consumer culture. 517 3 $aPearl S. Buck, Anna May Wong, Mayling Soong, and the transformation of American Orientalism 606 $aInternational relations 607 $aUnited States$xRelations$zChina 607 $aChina$xRelations$zUnited States 615 0$aInternational relations. 676 $a305.48/8951073/0922 700 $aLeong$b Karen J.$f1968-$01895932 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910957009603321 996 $aThe China mystique$94550124 997 $aUNINA