LEADER 07539nam 2200817k 450 001 9910956986403321 005 20231206224644.0 010 $a9781838710606 010 $a1838710604 010 $a9781838714017 010 $a1838714014 010 $a9781844575510 010 $a1844575519 024 7 $a10.5040/9781838710606 024 8 $a205395 035 $a(CKB)4340000000023451 035 $a(Au-PeEL)EBL4763586 035 $a(CaPaEBR)ebr11314451 035 $a(CaONFJC)MIL976881 035 $a(OCoLC)965739718 035 $a(Au-PeEL)EBL5400893 035 $a(CaPaEBR)ebr11568182 035 $a(OCoLC)1039685994 035 $a(OCoLC)966393943 035 $a(UkLoBP)CDCBFIFS9781838710606 035 $a(UkLoBP)BP9781838710606BC 035 $a(MiAaPQ)EBC4763586 035 $a(Perlego)1811522 035 $a(EXLCZ)994340000000023451 100 $a20200925d2009 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$a100 documentary films /$fBarry Keith Grant & Jim Hillier 205 $aFirst edition. 210 1$aLondon :$cBritish Film Institute :$c Bloomsbury Publishing (UK),$d2009. 215 $a1 online resource (277 pages) $cillustrations 225 1 $aScreen Guides 300 $aBibliography: p. [250]-252 311 08$a9781844572656 311 08$a184457265X 311 08$a9781844572649 311 08$a1844572641 320 $aIncludes bibliographical references and index. 327 $aHeidi Fleiss: Hollywood Madam, Nick Broomfield, 1995 -- Hoop Dreams, Steve James, 1994 -- The Hour of the Furnaces/La hora de los hornos, Octavio Getino, Fernando Ezequiel Solanas, 1968 -- Housing Problems, Edgar Anstey, Arthur Elton, 1935 -- Las Hurdes/Land without Bread, Luis Bun?uel, 1933 -- I for India, Sandhya Suri, 2005 -- In the Year of the Pig, Emile de Antonio, 1968 -- Jazz, Ken Burns, 2001 -- Kon-Tiki, Thor Heyerdahl, 1950 -- Koyaanisqatsi: Life Out of Balance, Godfrey Reggio, 1982 -- Lessons in Darkness/Lektionen in Finsternis, Werner Herzog, 1992 -- Let There Be Light, John Huston, 1946 -- The Life and Times of Rosie the Riveter, Connie Field, 1980 -- Lonely Boy, Wolf Koenig, Roman Kroitor, 1962 -- Lost Lost Lost, Jonas Mekas, 1976 -- Lumie?re Programme, Louis and Auguste Lumie?re, 1895 -- Les Mai?tres fous, Jean Rouch, 1955 -- Manhatta, Charles Sheeler, Paul Strand, 1921 -- Man of Aran, Robert Flaherty, 1934 -- Man with a Movie Camera, Dziga Vertov, 1929 -- March of the Penguins/La Marche de l'empereur, Luc Jacquet, 2005 -- A Married Couple, Allan King, 1969 -- Minamata, Tsuchimoto Noriaki, 1971 -- My Winnipeg, Guy Maddin, 2007 -- Nanook of the North, Robert Flaherty, 1922 -- Native Land, Leo Hurwitz, Paul Strand, 1942 -- Necrology, Standish Lawder, 1971 -- New Earth/Nieuwe gronden, Joris Ivens, 1934 -- News from Home, Chantal Akerman, 1976 -- North Sea, Harry Watt, 1938 -- Nuit et brouillard/Night and Fog, Alain Resnais, 1955 -- Not a Love Story: A Film about Pornography, Bonnie Sherr Klein, 1981 -- One Man's War/La Guerre d'un seul homme, Edgardo Cozarinsky, 1982 -- Paris Is Burning, Jennie Livingston, 1990 -- People on Sunday/Menschen am Sonntag, Robert Siodmak, Edgar G. Ulmer, 1930 -- The Plow that Broke the Plains, Pare Lorentz, 1936 -- Portrait of Jason, Shirley Clarke, 1967 -- Primary, Robert Drew, 1960. 327 $aPrimate, Frederick Wiseman, 1974 -- Les Racquetteurs/The Snowshoers, Michel Brault, Gilles Groulx, 1958 -- Roger and Me, Michael Moore, 1989 -- Salesman, Albert and David Maysles, Charlotte Zwerin, 1968 -- Le Sang des be?tes, Georges Franju, 1949 -- Sans soleil/Sunless, Chris Marker, 1983 -- 79 Primaveras/79 Springs, Santiago Alvarez, 1969 -- Shipyard, Paul Rotha, 1935 -- Shoah, Claude Lanzmann, 1985 -- El sol del membrillo/The Quince Tree Sun/The Dream of Light, Victor Erice, 1992 -- The Spanish Earth, Joris Ivens, 1937 -- Surname Viet Given Name Nam, Trinh T. Minh-ha, 1989 -- Talking Heads, Krzysztof Kies“lowski, 1980 -- The Thin Blue Line, Errol Morris, 1988 -- This Is Spinal Tap, Rob Reiner, 1984 -- Time Indefinite, Ross McElwee, 1993 -- Titicut Follies, Frederick Wiseman, 1967 -- Tongues Untied, Marlon Riggs, 1990 -- Triumph of the Will/Triumph des Willens, Leni Riefenstahl, 1935 -- Truth or Dare, Alek Keshishian, 1991 -- Turksib, Victor A. Turin, 1929 -- Very Nice, Very Nice, Arthur Lipsett, 1961 -- Waiting for Fidel, Michael Rubbo, 1974 -- The War Game, Peter Watkins, 1965 -- We Are the Lambeth Boys, Karel Reisz, 1958 -- When the Levees Broke, Spike Lee, 2006 -- Why We Fight 1: Prelude to War, Frank Capra, 1943 -- Woodstock, Michael Wadleigh, 1970 -- Zidane: A 21st Century Portrait, Douglas Gordon, Philippe Parreno, 2006 -- References -- Select Bibliography -- Index. 330 $aDocumentary films constitute a major part of film history. Cinema's origins lie, arguably, more in non-fiction than fiction, and documentary represents the other - often submerged and barely visible - 'half' of cinema history. Historically, documentary cinema has always been an important point of reference for fiction cinema, and the two have often overlapped. Over the last two decades, documentary cinema has enjoyed a revival in critical and commercial success. 100 Documentary Films is the first book to offer concise and authoritative individual critical commentaries on some of the key documentary films - from the Lumie?re brothers and the beginnings of cinema through to recent films such as Bowling for Columbine and When the Levees Broke - and is global in perspective. Many different types of documentary are discussed, as well as films by major documentary directors, including Robert Flaherty, Humphrey Jennings, Jean Rouch, Dziga Vertov, Errol Morris, Nick Broomfield and Michael Moore. Each entry provides concise critical analysis, while frequent cross reference to other films featured helps to place films in their historical and aesthetic contexts. Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Ontario, Canada. He is the author of Film Genre: From Iconography to Ideology (2007), Voyages of Discovery: The Cinema of Frederick Wiseman (1992) and co-author, with Steve Blandford and Jim Hillier, of The Film Studies Dictionary (2001). Jim Hillier is Visiting Lecturer in Film at the University of Reading. He is the author of The New Hollywood (1993), the co-author of The Film Studies Dictionary (2001) and, with Alan Lovell, of Studies in Documentary (1972). His edited books include American Independent Cinema (2001) and two volumes of the English translation of the selected Cahiers du cinema (1985, 1986). 410 0$aBFI screen guides. 517 3 $aOne hundred documentary films 517 3 $aHundred documentary films 606 $aDocumentary films$xHistory and criticism 606 $aDocumentary films$2fast$3(OCoLC)fst00896079 606 $aFilm & Media 606 $aFilms, cinema$2bic 608 $aCriticism, interpretation, etc.$2fast 615 0$aDocumentary films$xHistory and criticism. 615 7$aDocumentary films. 615 4$aFilm & Media. 615 7$aFilms, cinema. 676 $a070.18 686 $a778.7$2njb/09 700 $aGrant$b Barry Keith$f1947-$0846037 702 $aHillier$b Jim 801 0$bUkLoBP 801 1$bUkLoBP 906 $aBOOK 912 $a9910956986403321 996 $a100 documentary films$94366953 997 $aUNINA LEADER 00876nam 2200289 450 001 996682474703316 005 20251103124136.0 010 $a978-88-96229-36-1 100 $a20251031d20012201222km y0itay5003 ba 101 0 $aita$aeng 102 $aIT 105 $aa 00 y 200 1 $aAl di lą$epoesie$fVittorio Pesca$gillustrazioni di Aniello Torretta$gtraduzioni di Rosetta Monteforte Racalbuto 210 $aAvellino$cMenna$d20012 [i.e. 2012] 215 $a237 p.$cill.$d23 cm 300 $aTesto anche in inglese 676 $a851.92 700 1$aPESCA,$bVittorio$01853500 702 1$aTORRETTA,$bAniello 702 1$aMONTEFORTE RACALBUTO,$bRosetta 801 0$aIT$bcba$gREICAT 912 $a996682474703316 951 $aXV.1.varia. 140$b293379 L.M.$cXV.1.varia.$d574574 959 $aBK 969 $aLOCA 996 $aAl di lą$94449952 997 $aUNISA