LEADER 06059nam 2201561 a 450 001 9910956373303321 005 20250521101828.0 010 $a979-88-8181-561-5 010 $a1-4422-1180-6 010 $a9786613362261 010 $a1-283-36226-0 024 7 $a10.5040/9798881815615 035 $a(CKB)2550000000074374 035 $a(EBL)817164 035 $a(OCoLC)768082539 035 $a(SSID)ssj0000906474 035 $a(PQKBManifestationID)12422811 035 $a(PQKBTitleCode)TC0000906474 035 $a(PQKBWorkID)10932020 035 $a(PQKB)10382806 035 $a(SSID)ssj0000554488 035 $a(PQKBManifestationID)12215538 035 $a(PQKBTitleCode)TC0000554488 035 $a(PQKBWorkID)10514359 035 $a(PQKB)10739456 035 $a(Au-PeEL)EBL817164 035 $a(CaPaEBR)ebr10519538 035 $a(CaONFJC)MIL336226 035 $a(MiAaPQ)EBC817164 035 $a(UkLoBP)BP9798881815615BC 035 $a(EXLCZ)992550000000074374 100 $a20111024d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aChina on film $ea century of exploration, confrontation, and controversy /$fPaul G. Pickowicz 205 $a1st ed. 210 1$aLanham :$cRowman & Littlefield Publishers,$d2011. 210 2$aNew York :$cBloomsbury Publishing (US),$d2025. 215 $a1 online resource (377 p.) 300 $aDescription based upon print version of record. 311 08$a1-4422-1178-4 311 08$a1-4422-1179-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction: the sorrows and joys of Chinese filmmaking: political and personal contexts -- Shanghai twenties: early Chinese cinematic explorations of the modern marriage -- The theme of spiritual pollution in Chinese films of the 1930s -- Melodramatic representation and the "May fourth" tradition of Chinese filmmaking -- Never-ending controversies: the case of remorse in Shanghai and occupation-era Chinese filmmaking -- Victory as defeat: postwar visualizations of China's war of resistance -- Acting like revolutionaries: Shi Hui, The Wenhua Studio, and private-sector filmmaking, 1949-1952 -- Zheng Junli, complicity, and the cultural history of socialist China, 1949-1976 -- The limits of thaw: Chinese cinema in the early 1960s -- Popular cinema and political thought in early Post-Mao China: reflections on official pronouncements, film, and the film audience -- On the eve of Tiananmen: Huang Jianxin and the notion of postsocialism -- Velvet prison and the political economy of Chinese filmmaking in the late 1980s and early 1990s -- Social and political dynamics of underground filmmaking in early twenty-first century China. 330 $aLeading scholar Paul G. Pickowicz traces the dynamic history of Chinese filmmaking and its stunning development decade-by-decade since the 1920s. During the last one hundred years, China has been embroiled in a seemingly unending series of wars, revolutions, and jarring social transformations. Despite daunting censorship obstacles, Chinese filmmakers have found ingenious ways of taking political stands and weighing in-for better or worse-on the most explosive social, cultural, and economic issues of the day. Exploring the often gut-wrenching controversies generated by their w 606 $aMotion picture industry$zChina$xHistory$y20th century 606 $aMotion pictures$xPolitical aspects$zChina$xHistory$y20th century 606 $aMotion pictures$xSocial aspects$zChina$xHistory$y20th century 606 $aART$xFilm & Video$2bisacsh 606 $aFilm theory & criticism$2bicssc 606 $aMotion picture industry$2fast$3(OCoLC)fst01027150 606 $aMotion pictures$2fast$3(OCoLC)fst01027285 606 $aMotion pictures$xPolitical aspects$2fast$3(OCoLC)fst01027353 606 $aMotion pictures$xSocial aspects$2fast$3(OCoLC)fst01027384 606 $aPERFORMING ARTS$xFilm & Video$xReference$2bisacsh 607 $aChina$xIn motion pictures 607 $aChina$2fast$1https://id.oclc.org/worldcat/entity/E39PBJdCqh8h6hJY7PT6MQW4bd 608 $aHistory.$2fast 615 0$aMotion picture industry$xHistory 615 0$aMotion pictures$xPolitical aspects$xHistory 615 0$aMotion pictures$xSocial aspects$xHistory 615 7$aART$xFilm & Video. 615 7$aFilm theory & criticism. 615 7$aMotion picture industry. 615 7$aMotion pictures. 615 7$aMotion pictures$xPolitical aspects. 615 7$aMotion pictures$xSocial aspects. 615 7$aPERFORMING ARTS$xFilm & Video$xReference. 676 $a791.43095109/04 676 $a791.4309510904 700 $aPickowicz$b Paul$0283754 712 02$aBloomsbury (Firm), 801 0$bEBLCP 801 1$bEBLCP 801 2$bOCLCQ 801 2$bYDXCP 801 2$bIDEBK 801 2$bUX0 801 2$bOCLCO 801 2$bOCLCQ 801 2$bOCLCF 801 2$bOCLCQ 801 2$bOCLCO 801 2$bE7B 801 2$bCDX 801 2$bN$T 801 2$bCOD 801 2$bQGK 801 2$bOCLCO 801 2$bOCL 801 2$bOCLCQ 801 2$bOCLCO 801 2$bAGLDB 801 2$bICA 801 2$bMERUC 801 2$bZCU 801 2$bICG 801 2$bDHA 801 2$bCWR 801 2$bYDX 801 2$bLOA 801 2$bCOO 801 2$bK6U 801 2$bOCLCQ 801 2$bSTF 801 2$bBUF 801 2$bGRG 801 2$bD6H 801 2$bOCLCQ 801 2$bVTS 801 2$bOCLCQ 801 2$bYOU 801 2$bDKC 801 2$bOCLCQ 801 2$bM8D 801 2$bOCLCQ 801 2$bAJS 801 2$bOCLCO 801 2$bOCLCQ 801 2$bOCLCO 801 2$bOCLCL 801 2$bCLOUD 801 2$bOCLCO 801 2$bOCLCQ 801 2$bOCLCO 801 2$bUtOrBLW 906 $aBOOK 912 $a9910956373303321 996 $aChina on film$94394654 997 $aUNINA