LEADER 03251nam 2200721Ia 450 001 9910956335003321 005 20251128111912.0 010 $a9786612505911 010 $a9781282505919 010 $a1282505912 010 $a9781439900918 010 $a1439900914 024 7 $aheb40328 035 $a(PPN)291663036 035 $a(CKB)2550000000005028 035 $a(EBL)449816 035 $a(OCoLC)607553992 035 $a(SSID)ssj0000364102 035 $a(PQKBManifestationID)11262309 035 $a(PQKBTitleCode)TC0000364102 035 $a(PQKBWorkID)10394742 035 $a(PQKB)10691630 035 $a(OCoLC)966912388 035 $a(MdBmJHUP)muse54343 035 $a(Au-PeEL)EBL449816 035 $a(CaPaEBR)ebr10367654 035 $a(CaONFJC)MIL250591 035 $a(MiAaPQ)EBC449816 035 $a(dli)heb40328.0001.001 035 $a(MiU)MIU403280001001 035 $a(Perlego)2039704 035 $a(EXLCZ)992550000000005028 100 $a20090325d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOye como va! $ehybridity and identity in Latino popular music /$fDeborah Pacini Hernandez 205 $a1st ed. 210 $aPhiladelphia $cTemple University Press$dc2010 215 $a1 online resource (238 p.) 300 $aDescription based upon print version of record. 311 08$a9781439900901 311 08$a1439900906 311 08$a9781439900895 311 08$a1439900892 320 $aIncludes bibliographical references and index. 327 $aContents; Preface; 1 Introduction: Hybridity, Identity, and Latino Popular Music; 2 Historical Perspectives on Latinos and the Latin Music Industry; 3 To Rock or Not to Rock: Cultural Nationalism and Latino Engagement with Rock 'n' Roll; 4 Turning the Tables: Musical Mixings, Border Crossings, and New Sonic Circuitries; 5 New Immigrants, New Layerings: Tradition and Transnationalism in U.S. Dominican Popular Music; 6 From Cumbia Colombiana to Cumbia Cosmopolatina: Roots, Routes, Race, and Mestizaje; 7 Marketing Latinidad in a Global Era; Notes; Selected Bibliography; Index 330 $aListen Up! When the New York-born Tito Puente composed ""Oye Como Va!"" in the 1960's, his popular song was called ""Latin"" even though it was a fusion of Afro-Cuban and New York Latino musical influences. A decade later, Carlos Santana, a Mexican immigrant, blended Puente's tune with rock and roll, which brought it to the attention of national audiences. Like Puente and Santana, Latino/a musicians have always blended musics from their homelands with other sounds in our multicultural society, challenging ideas of what ""Latin"" music is or ought to be. Waves of immigrants... 606 $aHispanic Americans$vMusic$xSocial aspects 606 $aPopular music$xSocial aspects$zUnited States 615 0$aHispanic Americans$xSocial aspects. 615 0$aPopular music$xSocial aspects 676 $a781.64089/68073 700 $aPacini Hernandez$b Deborah$01809349 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910956335003321 996 $aOye como va$94362360 997 $aUNINA