LEADER 00809nam0-22003011i-450-
001 990003044500403321
010   $a0-415-12374-7
035   $a000304450
035   $aFED01000304450
035   $a(Aleph)000304450FED01
035   $a000304450
100   $a20000920d1933----km-y0itay50------ba
101 0 $aita
102   $aIT
200 1 $aDeconstructing Durkheim$eA Post-Post-Structuralist Critique$fJennifer M. Lehmann.
210   $aLondon$cRoutledge$d1933.
215   $aX, 270 p.$d22 cm
610 0 $aDurkheim, Emile
676   $a21132
702  1$aLehmann,$bJennifer M.
801  0$aIT$bUNINA$gRICA$2UNIMARC
901   $aBK
912   $a990003044500403321
952   $a21132 LEH$b17395$fSES
959   $aSES
996   $aDeconstructing Durkheim$9463363
997   $aUNINA
DB    $aING01

LEADER 03078nam  22006372  450 
001 9910956116903321
005 20151005020621.0
010   $a1-107-46057-3
010   $a1-139-89048-4
010   $a1-107-45897-8
010   $a1-107-47185-0
010   $a1-139-05180-6
010   $a1-107-46820-5
010   $a1-107-46475-7
010   $a1-107-47288-1
035   $a(CKB)2550000001138803
035   $a(EBL)1543542
035   $a(OCoLC)862614145
035   $a(SSID)ssj0000985427
035   $a(PQKBManifestationID)12479411
035   $a(PQKBTitleCode)TC0000985427
035   $a(PQKBWorkID)10929571
035   $a(PQKB)11547734
035   $a(UkCbUP)CR9781139051804
035   $a(MiAaPQ)EBC1543542
035   $a(Au-PeEL)EBL1543542
035   $a(CaPaEBR)ebr10774110
035   $a(CaONFJC)MIL538473
035   $a(OCoLC)859536493
035   $a(EXLCZ)992550000001138803
100   $a20110307d2013||||  uy|         0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aAfter Mahler $eBritten, Weill, Henze, and romantic redemption /$fStephen Downes
205   $a1st ed.
210  1$aCambridge :$cCambridge University Press,$d2013.
215   $a1 online resource (xiv, 276 pages) $cdigital, PDF file(s)
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311 08$a1-107-00871-9 
311 08$a1-306-07222-0 
320   $aIncludes bibliographical references and index.
327   $aMahler's moment -- Nai?ve and sentimental : Britten and Mahler -- Real and surreal : shocks, dreams and temporality in the music of Weill and Mahler -- Tyranny and freedom : Henze and Mahler.
330   $aThe music of Gustav Mahler repeatedly engages with Romantic notions of redemption. This is expressed in a range of gestures and procedures, shifting between affirmative fulfilment and pessimistic negation. In this groundbreaking study, Stephen Downes explores the relationship of this aspect of Mahler's music to the output of Benjamin Britten, Kurt Weill and Hans Werner Henze. Their initial admiration was notably dissonant with the prevailing Zeitgeist ? Britten in 1930s England, Weill in 1920s Germany and Henze in 1950s Germany and Italy. Downes argues that Mahler's music struck a profound chord with them because of the powerful manner in which it raises and intensifies dystopian and utopian complexes and probes the question of fulfilment or redemption, an ambition manifest in ambiguous tonal, temporal and formal processes. Comparisons of the ways in which this topic is evoked facilitate new interpretative insights into the music of these four major composers.
606   $aMusic$y20th century$xHistory and criticism
615  0$aMusic$xHistory and criticism.
676   $a780.9/04
700   $aDownes$b Stephen C.$f1962-$01843002
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910956116903321
996   $aAfter Mahler$94423681
997   $aUNINA