LEADER 04073nam 2200769 a 450 001 9910955729503321 005 20200520144314.0 010 $a9786613226273 010 $a9781283226271 010 $a1283226278 010 $a9780774856959 010 $a0774856955 024 7 $a10.59962/9780774856959 035 $a(CKB)2430000000000355 035 $a(OCoLC)243614105 035 $a(CaPaEBR)ebrary10215285 035 $a(SSID)ssj0000375461 035 $a(PQKBManifestationID)11281927 035 $a(PQKBTitleCode)TC0000375461 035 $a(PQKBWorkID)10488701 035 $a(PQKB)11689893 035 $a(CaPaEBR)406798 035 $a(CaBNvSL)thg00602871 035 $a(Au-PeEL)EBL3412435 035 $a(CaPaEBR)ebr10218458 035 $a(CaONFJC)MIL322627 035 $a(OCoLC)923444624 035 $a(VaAlCD)20.500.12592/t23wks 035 $a(schport)gibson_crkn/2009-12-01/3/406798 035 $a(MiAaPQ)EBC3412435 035 $a(MiAaPQ)EBC3254198 035 $a(DE-B1597)729206 035 $a(DE-B1597)9780774856959 035 $a(EXLCZ)992430000000000355 100 $a19861203d1986 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBill Reid $ebeyond the essential form /$fKaren Duffek ; foreword by Michael M. Ames 205 $a1st ed. 210 $aVancouver $cUniversity of British Columbia Press in association with the UBC Museum of Anthropology$dc1986 215 $a1 online resource (68 p.) 225 1 $aMuseum note (Vancouver, B.C.),$x0228-2364 ;$vno. 19 300 $aCatalog of an exhibition held July 15-Nov. 2, 1986, at the UBC Museum of Anthropology. 311 08$a9780774802635 311 08$a0774802634 320 $aBibliography: p. 57-58. 327 $aIntro -- Contents -- Foreword -- Preface -- Foundations and Directions -- Unlocking the Secrets -- New Dimensions of Technique -- Transforming Traditions -- Beyond the Essential Form -- Colour Plates -- Notes -- Credits. 330 $aBill Reid, master artist, goldsmith, carver, writer, and spokesman, has been widely acclaimed as the pivotal force in the rediscovery and reflowering of the great art traditions of the Natives of the Northwest Coast. According to eminent French anthropologist Levi-Strauss, Reid ";brought Northwest Coast art to the world scene, into dialogue with the whole of mankind."; In this artistic biography, Karen Duffek gives an account of Bill Reid's life and work and of his role as artist, innovator, and ambassador of Haida art. After describing the processes by which Reid came to reconstruct the formal rules of a complex artistic tradition, Duffek focuses on his mastery of new techniques, particularly in making jewellery, techniques which others now emulate. In the key chapter ";Beyond the Essential Form,"; she uses Reid's own categories of his work as ";copies, adaptations and explorations,"; to give a candid appraisal of his artistic achievements -- from massive poles to gold boxes, from intricate bracelets to the great bronze Killerwhale statue. Specialists, collectors, and lay readers with an interest in Northwest Coast Native art or in Reid's work in particular will welcome this insightful critical biography published in association with a Reid exhibit at the University of British Columbia's Museum of Anthropology. 410 0$aMuseum note (Vancouver, B.C.) ;$vno. 19. 606 $aReid, Bill, -- 1920-1998 -- Exhibitions 606 $aSOCIAL SCIENCE / Ethnic Studies / Native American Studies$2bisacsh 615 0$aReid, Bill, -- 1920-1998 -- Exhibitions. 615 7$aSOCIAL SCIENCE / Ethnic Studies / Native American Studies. 676 $a730/.92/4 700 $aDuffek$b Karen$f1956-$01800169 701 $aReid$b Bill$f1920-1998.$01800170 712 02$aUniversity of British Columbia.$bMuseum of Anthropology. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910955729503321 996 $aBill Reid$94344793 997 $aUNINA