LEADER 03932nam 22008654a 450 001 9910955712503321 005 20200520144314.0 010 $a9780511100598 010 $a0511100590 010 $a9781107125759 010 $a1107125758 010 $a9781280436451 010 $a128043645X 010 $a9780511176562 010 $a0511176562 010 $a9780511045509 010 $a0511045506 010 $a9780511157455 010 $a0511157452 010 $a9780511304514 010 $a051130451X 010 $a9780511613555 010 $a0511613555 010 $a9780511016639 010 $a0511016638 024 7 $a2027/heb06327 035 $a(CKB)111087027191008 035 $a(EBL)202208 035 $a(OCoLC)475917195 035 $a(SSID)ssj0000222690 035 $a(PQKBManifestationID)11221245 035 $a(PQKBTitleCode)TC0000222690 035 $a(PQKBWorkID)10175433 035 $a(PQKB)10892482 035 $a(UkCbUP)CR9780511613555 035 $a(Au-PeEL)EBL202208 035 $a(CaPaEBR)ebr10019083 035 $a(CaONFJC)MIL43645 035 $a(MiAaPQ)EBC202208 035 $a(dli)HEB06327 035 $a(MiU)MIU01000000000000007294861 035 $a(EXLCZ)99111087027191008 100 $a20010830d2002 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPlaying with history $ethe historical approach to musical performance /$fJohn Butt 205 $a1st ed. 210 $aCambridge ;$aNew York $cCambridge University Press$d2002 215 $a1 online resource (xvi, 265 pages) $cdigital, PDF file(s) 225 1 $aMusical performance and reception 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a9780521013581 311 08$a0521013585 311 08$a9780521813525 311 08$a0521813522 320 $aIncludes bibliographical references (p. 243-252) and index. 327 $aCover; Half-title; Series-title; Title; Copyright; Contents; Preface; Acknowledgements; Abbreviations; 1 Joining the historical performance debate; 2 Historical performance and truth to the work': history and the subversion of Platonism; 3 Historical performance and truth to the composer': rehabilitating intention; 4 Negotiating between work, composer and performer: rewriting the story of notational progress; 5 Historical performance at the crossroads of modernis and postmodernism 330 $aWhy do we feel the need to perform music in a historically informed style? Is this need related to wider cultural concerns? In this 2002 study, John Butt sums up debates on the nature of the early music movement and historically informed performance, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. He develops the critical views of both supporters and detractors of the movement, while claiming ultimately that it has more intellectual and artistic potential than its detractors may have assumed. He also asks whether the phenomenon of historically informed performance reflects changes in the culture of western music and how it, in turn, may have influenced that culture, particularly in regard to such issues as the status of the composer, the work, intentionality and notation. 410 0$aMusical performance and reception. 606 $aPerformance practice (Music) 606 $aMusic$xHistory and criticism 615 0$aPerformance practice (Music) 615 0$aMusic$xHistory and criticism. 676 $a781.4/311 700 $aButt$b John$0385251 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910955712503321 996 $aPlaying with history$91889388 997 $aUNINA