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100   $a20240214e20042024  uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFrom fetish to subject $erace, modernism, and primitivism, 1919-1935 /$fCarole Sweeney
205   $a1st ed.
210  1$aWestport, Conn. :$cPraeger Publishers,$d2004.
210  2$aLondon :$cBloomsbury Publishing (UK),$d2024
215   $a1 online resource (174 p.)
300   $aDescription based upon print version of record.
311 08$a9780275977474 
311 08$a0275977471 
320   $aIncludes bibliographical references (p. [143]-156) and index.
327   $aConstructing the modern primitive -- "I'll say it's getting darker and darker in Paris" : Josephine Baker and La revue ne?gre -- Black woman/colonial body -- "Go to Harlem, it's sharper there" : negro : an anthology (1934) -- "A conceptual swindle" : surrealism, race and anticolonialism -- Diaspora and resistance : a 'French' black Atlantic and counterprimitivism.
330   $aWas modern primitivism complicit with the ideologies of colonialism, or was it a multivalent encounter with difference? Examining race and modernism through a wider and more historically contextualized study, Sweeney brings together a variety of published and new scholarship to expand the discussion on the links between modernism and primitivism. Tracing the path from Dada and Surrealism to Josephine Baker and Nancy Cunard's Negro: An Anthology, she shows the development of ne?grophilie from the interest in black cultural forms in the early 1920s to a more serious engagement with difference and
606   $aBlacks
606   $aCivilization, Modern
606   $aImperialism$xSocial aspects
606   $aPrimitivism
615  0$aBlacks.
615  0$aCivilization, Modern.
615  0$aImperialism$xSocial aspects.
615  0$aPrimitivism.
676   $a305.896
700   $aSweeney$b Carole$01797232
801  0$bDLC
801  1$bDLC
801  2$bDLC
906   $aBOOK
912   $a9910955711403321
996   $aFrom fetish to subject$94339358
997   $aUNINA