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100   $a20180331d1996      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aAlternative Shakespeares$hVolume 2 /$fedited by Terence Hawkes
205   $a2nd ed.
210  1$aLondon ;$aNew York :$cRoutledge,$d1996.
215   $a1 online resource (311 p.)
225 0 $aNew accents
300   $aDescription based upon print version of record.
311 08$a9780203446386 
311 08$a0203446380 
311 08$a9780415157803 
311 08$a0415157803 
320   $aIncludes bibliographical references and index.
327   $aBook Cover; Half-Title; Title; Copyright; Contents; Illustrations; Contributors; General editor's preface; Acknowledgements; 1 Introduction; 2 After the new historicism; 3 Cleopatra's Seduction; 4 Imprints: Shakespeare, Gutenberg and Descartes; 5 L[o]cating the sexual subject; 6 How to read The Merchant of Venice without being heterosexist; 7 'ln what chapter of his bosom?': reading Shakespeare's bodies; 8 Shakespeare and cultural difference; 9 'Othello was a white man': properties of race on Shakespeare's stage; 10 Watching Hamlet watching: Lacan, Shakespeare and the mirror/stage
327   $a11 Afterword: the next generationNotes; Bibliography; Index
330   $aIntroducing new debates and new theorists, this collection provides a broad cross-section of contemporary Shakespearen studies, including psychoanalysis, sexual and gender politics, race and new historicism. Shakespeare for the 21st c.
410  0$aNew accents (Routledge (Firm))
606   $aEnglish literature
615  0$aEnglish literature.
676   $a822.33
701   $aHawkes$b Terence$0163953
801  0$bFlBoTFG
801  1$bFlBoTFG
906   $aBOOK
912   $a9910955700303321
996   $aAlternative Shakespeares$94329348
997   $aUNINA