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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aBody and image $eexplorations in landscape phenomenology 2 /$fChristopher Tilley ; with assistance of Wayne Bennett
205   $a1st ed.
210   $aWalnut Creek, Calif. $cLeft Coast Press$dc2008
215   $a1 online resource (289 p.)
225 1 $aExplorations in landscape phenomenology
300   $aFirst published 2008 by Left Coast Press, Inc.
311 1 $a1598743147 
311 1 $a1598743139 
320   $aIncludes bibliographical references (p. 273-282) and index.
327   $aBody and image -- Vingen -- Ireland -- Norrkoping.5650.
330   $aThe understanding and interpretation of ancient architecture, landscapes, and art has always been viewed through an iconographic lens-a cognitive process based on traditional practices in art history. But ancient people did not ascribe their visions on canvas, rather on hills, stones, and fields. Thus, Chris Tilley argues, the iconographic approach falls short of understanding how ancient people interacted with their imagery. A kinaesthetic approach, one that uses the full body and all the senses, can better approximate the meaning that these artifacts had for their makers and today's viewers.
410  0$aExplorations in landscape phenomenology ;$v2.
606   $aMegalithic monuments
606   $aArchitecture, Prehistoric
606   $aPetroglyphs
606   $aLand settlement patterns, Prehistoric
615  0$aMegalithic monuments.
615  0$aArchitecture, Prehistoric.
615  0$aPetroglyphs.
615  0$aLand settlement patterns, Prehistoric.
676   $a930.1/4
700   $aTilley$b Christopher Y$0459734
701   $aBennett$b Wayne$f1954-$01828999
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