LEADER 04393nam 2200637Ia 450 001 9910955033703321 005 20200520144314.0 010 $a9781780428949 010 $a1780428944 035 $a(CKB)2670000000402671 035 $a(EBL)4094438 035 $a(SSID)ssj0000953221 035 $a(PQKBManifestationID)11958322 035 $a(PQKBTitleCode)TC0000953221 035 $a(PQKBWorkID)10909506 035 $a(PQKB)11479036 035 $a(Au-PeEL)EBL1337406 035 $a(CaPaEBR)ebr10745480 035 $a(CaONFJC)MIL510154 035 $a(OCoLC)855505255 035 $a(MiAaPQ)EBC1337406 035 $a(PPN)197277977 035 $a(FR-PaCSA)88835850 035 $a(FRCYB88835850)88835850 035 $a(BIP)45589963 035 $a(BIP)38310211 035 $a(EXLCZ)992670000000402671 100 $a20111102d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCentral Asian art /$fVladimir Lukonin & Anatoly Ivanov 205 $a1st ed. 210 $aNew York $cParkstone Press International$d2013 215 $a1 online resource (256 p.) 300 $aIncludes index. 311 08$a9781780420189 311 08$a1780420188 327 $aIntro -- Contents -- A Brief Glance at History -- Architecture -- Triumph of Islam -- The art of decoration -- Predominance of religious art -- The golden age of the builders -- Tradition and modernity -- Sculpture -- Statuary -- Hellenistic contributions -- Buddhist influence -- Khwarezm sculptures -- Sogdian sculptures -- Bactrian sculptures -- The early Middle Ages -- Buddhist art -- Mythological art -- Megalithic art -- Figurines -- Ossuaries -- The revival of independant art -- Monumental Painting and Illumination -- Monumental painting -- Palace frescos -- Illumination -- Styles -- The schools -- The modern miniaturists and their successors -- The Decorative Arts -- Ceramics -- Antiquity -- The Middle Ages -- Modern times -- Metals -- The Middle Ages -- The art of engraving of Tokharistan -- The art of engraving of Kharezm -- The art of engraving of Sogdian -- The art of engraving of the north-east -- Post-Mongolian times -- The contemporary period -- The Goldsmith's trade -- Antiquity and the Middle Ages -- Modern times -- Schools of the goldsmith's trade -- Women's jewellery -- The Craft industry -- Glass -- Ivory work -- Woodcarving and painted wood -- Felt-working -- Carpet weaving -- Printed cloth -- Embroidery -- Leatherwork -- A general picture of popular crafts -- Three Pearls on the Silk Road -- Samarkand -- The Blue City -- Bukhara -- The Citadel of the Arch -- Khiva -- Cultural Capital of Kharezm -- Index -- Decorative Art -- Architecture -- Bukhara -- Khiva -- Samakand -- On the Silk Road. 330 $aThe strict prohibition on the representation of the human form has channeled artistic creation into architecture and architectural decoration. This book is a magical tour through Central Asia - Khirgizia, Tadjikistan, Turkmenia, and Uzbekistan - a cradle of Ancient civilisations and are pository of the Oriental arts inspired by Buddhism and Islam. There are magnificent, full-colour photographs of the abandoned cities of Mervand Urgench, Khiva, the capital of the Kharezm, with its mausoleum of Sheikh Seid Allahuddin,and, the Golden Road to Samarkand, the Blue City, a center of civilisation for 2,500 years.form has channeled artistic creation into architecture andarchitectural decoration. This book is a magical tourthrough Central Asia - Khirgizia, Tadjikistan, Turkmenia,and Uzbekistan - a cradle of Ancient civilisations and arepository of the Oriental arts inspired by Buddhism andIslam. There are magnificent, full-colour photographs of theabandoned cities of Mervand Urgench, Khiva, the capital ofthe Kharezm, with its mausoleum of Sheikh Seid Allahuddin,and, the Golden Road to Samarkand, the Blue City, acenter of civilisation for 2,500 years. 606 $aIslamic art 606 $aArt, Central Asian 615 0$aIslamic art. 615 0$aArt, Central Asian. 676 $a709.58 700 $aLukonin$b Vladimir Grigorevich$0187049 701 $aIvanov$b Anatoly$01795224 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910955033703321 996 $aCentral Asian art$94337538 997 $aUNINA