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010   $a9781526104670
010   $a1526104679
010   $a9781526120724
010   $a1526120720
010   $a9781526104663
010   $a1526104660
024 7 $a10.7765/9781526104663
035   $a(CKB)3710000001025582
035   $a(MiAaPQ)EBC4789600
035   $a(StDuBDS)EDZ0001665932
035   $a(OCoLC)989037205
035   $a(MdBmJHUP)muse59381
035   $a(DE-B1597)660570
035   $a(DE-B1597)9781526104663
035   $a(Perlego)1526070
035   $a(EXLCZ)993710000001025582
100   $a20170222d2017      uy         0
101 0 $aeng
135   $aurcnu||||||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aFleshing out surfaces$eSkin in French art and medicine, 1650?1850 /$fMechthild Fend
205   $a1st ed.
210  1$aManchester :$cManchester University Press,$d2017.
210  3$aBaltimore, Md. :$cProject MUSE,$d2017
210  4$dİ2017.
215   $a1 online resource (347 pages) $ccolor illustrations
225 0 $aRethinking art's histories
300   $aPreviously issued in print: 2017.
311 08$a9780719087967 
311 08$a0719087961 
320   $aIncludes bibliographical references (pages 281-303) and index.
327   $aThe surface's substance -- Nervous canvas -- Sensitive limit -- Skin colour -- Seeing through the skin -- Hermetic borderline -- Epilogue : segregagtion.
330 8 $a'Fleshing out surfaces' is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.--$cSource other than Library of Congress.
410  0$aRethinking art's histories.
606   $aSkin$xPsychological aspects$2fast$3(OCoLC)fst01120112
606   $aSkin in art$2fast$3(OCoLC)fst01120144
606   $aHuman skin color in art$2fast$3(OCoLC)fst00963469
606   $aArt, French$xThemes, motives$2fast$3(OCoLC)fst00816297
606   $aAnatomy, Artistic$2fast$3(OCoLC)fst00808452
606   $aAnatomy, Artistic
606   $aArt, French$xThemes, motives
606   $aSkin$xPsychological aspects
606   $aHuman skin color in art
606   $aSkin in art
610   $aart theory, France 1600-1900.
610   $aartistic anatomy 1700-1900.
610   $acolour.
610   $aflesh tones.
610   $ahistory of the body.
610   $amateriality.
610   $amedical History, 1600-1900.
610   $apainterly practice.
610   $apainting, France 1700-1850.
610   $askin colour.
610   $askin.
615  7$aSkin$xPsychological aspects.
615  7$aSkin in art.
615  7$aHuman skin color in art.
615  7$aArt, French$xThemes, motives.
615  7$aAnatomy, Artistic.
615  7$aAnatomy, Artistic.
615  7$aArt, French$xThemes, motives.
615  7$aSkin$xPsychological aspects.
615  7$aHuman skin color in art.
615  7$aSkin in art.
676   $a709.944
700   $aFend$b Mechthild$01173826
801  0$bMdBmJHUP
801  1$bMdBmJHUP
906   $aBOOK
912   $a9910954425203321
996   $aFleshing out surfaces$94361049
997   $aUNINA