LEADER 04503nam 2201261 a 450 001 9910954165603321 005 20251107091824.0 010 $a979-88-8183-851-5 010 $a979-82-16-28726-1 010 $a1-283-21388-5 010 $a9786613213884 010 $a0-8108-8135-7 024 7 $a10.5040/9798881838515 035 $a(CKB)2550000000042721 035 $a(EBL)741752 035 $a(OCoLC)750174741 035 $a(SSID)ssj0000540209 035 $a(PQKBManifestationID)12166244 035 $a(PQKBTitleCode)TC0000540209 035 $a(PQKBWorkID)10581271 035 $a(PQKB)11536073 035 $a(Au-PeEL)EBL741752 035 $a(CaPaEBR)ebr10490773 035 $a(CaONFJC)MIL321388 035 $a(MiAaPQ)EBC741752 035 $a(OCoLC)750174741$z(OCoLC)847366260$z(OCoLC)1061055545$z(OCoLC)1081266535$z(OCoLC)1082703811$z(OCoLC)1154990332$z(OCoLC)1228591062 035 $a(UkLoBP)BP9798881838515BC 035 $a(EXLCZ)992550000000042721 100 $a20110225d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPost-9/11 cinema $ethrough a lens darkly /$fJohn Markert 205 $a1st ed. 210 $aLanham, Md. $cScarecrow Press, Inc.$dc2011 210 2$aNew York :$cBloomsbury Publishing(US),$d2011. 215 $a1 online resource (393 p.) 300 $aDescription based upon print version of record. 311 08$a0-8108-8134-9 320 $aIncludes bibliographical references (p. 329-339) and index. 327 $aIntroduction -- Cinema simplicity : heroes and villains -- The cinematic dialectic : movies begin to debate the war(s) -- The dialectic rages on : documentary films 2006-2010 -- Fictional features belatedly appear -- Conclusion. 330 $aCovering cinematic portrayals of 9/11 and the subsequent incursions into Iraq and Afghanistan, Post-9/11 Cinema: Through a Lens Darkly examines both dramas and documentaries that depict what some have termed ""Bush's war,"" as well as rebuttal films, films about terrorist activities, and films seen from the vantage point of journalists and military personnel. This book not only shows how motion pictures reflect societal values but also how such works can influence social attitudes and th 606 $aMotion pictures$2fast$3(OCoLC)fst01027285 606 $aWar films$2fast$3(OCoLC)fst01170482 606 $aMotion pictures$xPolitical aspects$2fast$3(OCoLC)fst01027353 606 $aInfluence (Literary, artistic, etc.)$2fast$3(OCoLC)fst00972484 606 $aMotion pictures$xPolitical aspects$zUnited States 606 $aART$xFilm & Video$2bisacsh 606 $aSeptember 11 Terrorist Attacks, 2001$xInfluence 606 $aWar films$zUnited States$xHistory and criticism 606 $aPERFORMING ARTS$xFilm & Video$xReference$2bisacsh 606 $aMotion pictures$zUnited States$xHistory$y21st century 607 $aUnited States$2fast$1https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 608 $aCriticism, interpretation, etc.$2fast 608 $aHistory.$2fast 615 7$aMotion pictures. 615 7$aWar films. 615 7$aMotion pictures$xPolitical aspects. 615 7$aInfluence (Literary, artistic, etc.) 615 0$aMotion pictures$xPolitical aspects 615 7$aART$xFilm & Video. 615 0$aSeptember 11 Terrorist Attacks, 2001$xInfluence. 615 0$aWar films$xHistory and criticism. 615 7$aPERFORMING ARTS$xFilm & Video$xReference. 615 0$aMotion pictures$xHistory 676 $a791.43/658 700 $aMarkert$b John$f1945-$01856304 712 02$aBloomsbury (Firm), 801 0$bDLC 801 1$bDLC 801 2$bYDXCP 801 2$bEBLCP 801 2$bOSU 801 2$bMHW 801 2$bWAU 801 2$bTEFOD 801 2$bOCLCF 801 2$bU9X 801 2$bJBG 801 2$bAGLDB 801 2$bD6H 801 2$bVTS 801 2$bMERUC 801 2$bZCU 801 2$bICG 801 2$bVT2 801 2$bSTF 801 2$bCOO 801 2$bDKC 801 2$bAU@ 801 2$bK6U 801 2$bUKSSU 801 2$bAJS 801 2$bN$T 801 2$bOCLCO 801 2$bOCLCQ 801 2$bOCLCO 801 2$bOCLCL 801 2$bCLOUD 801 2$bOCLCQ 801 2$bOCLCL 801 2$bUtOrBLW 906 $aBOOK 912 $a9910954165603321 996 $aPost-9$94455046 997 $aUNINA