LEADER 05258nam 2200613Ia 450 001 9910954063603321 005 20200520144314.0 010 $a94-012-0244-3 010 $a1-4237-9187-8 024 7 $a10.1163/9789401202442 035 $a(CKB)1000000000462482 035 $a(EBL)556843 035 $a(OCoLC)714568397 035 $a(SSID)ssj0000113750 035 $a(PQKBManifestationID)11984305 035 $a(PQKBTitleCode)TC0000113750 035 $a(PQKBWorkID)10101890 035 $a(PQKB)11012757 035 $a(Au-PeEL)EBL556843 035 $a(CaPaEBR)ebr10380285 035 $a(OCoLC)70867904 035 $a(nllekb)BRILL9789401202442 035 $a(MiAaPQ)EBC556843 035 $a(EXLCZ)991000000000462482 100 $a20060526d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe book as artefact, text and border /$fedited by Anne Mette Hansen ... [et al.] 205 $a1st ed. 210 $aAmsterdam ;$aNew York, NY $cRodopi$d2005 215 $a1 online resource (391 p.) 225 1 $aVariants, the journal of the European Society for Textual Scholarship,$x1573-3084 ;$v4 300 $aDescription based upon print version of record. 311 08$a90-420-1888-7 320 $aIncludes bibliographical references. 327 $aThe Book as Artefact -- Edited by Anne Mette Hansen -- Paul EGGERT: Version - Agency - Intention: The Cross-fertilising of German and Anglo-American Editorial Traditions -- Peter L. SHILLINGSBURG: Practical Editions of Literary Texts -- Ragnheiður MÓSESDÓTTIR: "Good white paper, with a new, clear and elegant typeface": Early Arnamagnæan Editions -- Eva Nilsson NYLANDER: To the Glory of Mary: Liber Scole Virginis at Lund University Library -- João DIONÍSIO: Tables of Contents in Portuguese Late Medieval Manuscripts -- Rüdiger NUTT-KOFOTH: The Book in the Poetological Concept of Stefan George: Some Remarks on the Physical and Iconic Side of the Published Text - with an Editorial Conclusion -- Dirk VAN HULLE: The Limited Edition Unlimited: Samuel Beckett's Fugal Artefact -- Text and Border: The Borders of the Text -- Edited by Roger Lüdeke, Wolfgang Streit and Cristina Urchueguía -- George BORNSTEIN: The Book as Artefact: Historicizing Ezra Pound's First Thirty Cantos -- Julia BRIGGS: Writing by Numbers: An Aspect of Woolf 's Revisionary Practice -- Michael GRODEN: Proceeding Energetically From the Unknown to the Known: Looking Again at the Genetic Texts and Documents for Joyce's Ulysses -- Geert LERNOUT: The Dimension of the Text -- John MCCOURT: Writing on the Edge: Trollope's An Eye for An Eye -- Jerome MCGANN: From Text to Work: Digital Tools and the Emergence of the Social Text -- Fritz SENN: The Potency of Error (exempli?ed in Joyce's Ulysses ) -- The Interpretive Consequences of Textual Criticism -- Edited by Peter Shillingsburg -- John BRYANT: Versions of Moby-Dick : Plagiarism, Censorship, and Some Notes toward an Ethics of the Fluid Text -- Marta L. WERNER: Emily Dickinson's Futures: "Unquali?ed - to Scan" -- Reviews and Book Notices -- Notes on Contributors. 330 $aBooks do not just contain texts: books themselves are cultural artefacts, which convey many meanings in their own right, meanings which interact with the texts they contain. Awareness of the many significances of books as cultural and textual objects reshapes the traditional disciplines of textual theory, analytic bibliography, codicology and palaeography, while the advent of electronic books, and digital methods for representing print books, is introducing a new dimension to our understanding. Seven essays in this volume, ranging over medieval Portuguese and Swedish manuscripts, eighteenth-century Icelandic editions, Australian playtexts, Thackeray and Anita Brookner, and Stefan George, consider these questions from the broad perspective of textual scholarship. Texts may exist on the borderland of word and not-word; or they may spring from borderlands of nation or culture; or they may be considered from the margins of neighbouring disciplines. So readers must set the texts within contexts, to see the play of text against border. Essays in this volume explore different texts against varying backgrounds - Pound's Cantos , Joyce's Ulysses , Trollope's An Eye for an Eye , Woolf's The Waves - while essays by McGann and Lernout argue the dimensionality of text on the intersection of print and digital media. Implicit in all these essays is the contention, that textual scholarship must influence literary interpretation. Two final essays focus directly on this, in the cases of Melville's Moby-Dick and Emily Dickinson's late fragments. An extensive reviews section completes this volume. 410 0$aVariants, the journal of the European Society for Textual Scholarship ;$v4. 606 $aCriticism, Textual 606 $aEditing 615 0$aCriticism, Textual. 615 0$aEditing. 676 $a809 701 $aHansen$b Anne Mette$01834864 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910954063603321 996 $aThe book as artefact, text and border$94410542 997 $aUNINA LEADER 01003nas 2200385 c 450 001 9910986117103321 005 20260127110053.0 011 $a2957-1995 035 $a(DE-599)ZDB3208903-X 035 $a(OCoLC)1506394680 035 $a(DE-101)1358674531 035 $a(CKB)3790000000124117 035 $a(DE-599)3208903-X 035 $a(EXLCZ)993790000000124117 100 $a20250305a20199999 |y | 101 0 $apol 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPrawo asekuracyjne$ePA = Insurance law 210 31$aWarszawa$cFundacja ?Prawo Ubezpieczeniowe?$d[2019?]- 215 $aOnline-Ressource 311 08$a1233-5681 517 1 $aInsurance law 517 1 $aPA 608 $aZeitschrift$2gnd-content 676 $a340 801 0$b0012 801 1$bDE-101 801 2$b9999 906 $aJOURNAL 912 $a9910986117103321 996 $aPrawo Asekuracyjne$94328661 997 $aUNINA