LEADER 04816oam 2200517 450 001 9910299463403321 005 20190911103511.0 010 $a1-4471-5562-9 024 7 $a10.1007/978-1-4471-5562-1 035 $a(OCoLC)863153024 035 $a(MiFhGG)GVRL6YKP 035 $a(EXLCZ)992550000001151204 100 $a20140401d2014 uy 0 101 0 $aeng 135 $aurun|---uuuua 181 $ctxt 182 $cc 183 $acr 200 10$aSampled-data models for linear and nonlinear systems /$fJuan I. Yuz, Graham C. Goodwin 205 $a1st ed. 2014. 210 1$aLondon :$cSpringer,$d2014. 215 $a1 online resource (xvii, 289 pages) $cillustrations (some color) 225 1 $aCommunications and Control Engineering,$x0178-5354 300 $a"ISSN: 0178-5354." 311 $a1-4471-5561-0 320 $aIncludes bibliographical references and index. 327 $aPart I: Deterministic Systems -- Background on Sampling of Signals.-Sampled Data Models for Linear Deterministic Systems -- Incremental Sampled Data Models -- Asymptotic Sampling Zeros -- Generalized Hold Devices -- Robustness -- Approximate Models for Linear Deterministic Systems -- Approximate Models for Deterministic Nonlinear Systems -- Applications of Approximate Sampled-data Models in Estimation and Control -- Part II: Stochastic Systems -- Background on Sampling of Stochastic Signals -- Sampled-data Models for Linear Stochastic Systems -- Incremental Stochastic Sampled-data Models.- Asymptotic Sampling Zeros for Linear Stochastic Systems -- Generalized Sampling Filters -- Approximate Sampled-data Models for Linear Stochastic Systems -- Stochastic Nonlinear Systems -- Approximate Sampled-data Models for Nonlinear Stochastic Systems -- Applications of Approximate Stochastic Sampled-data Models -- Part III: Embellishments and Extensions -- The Euler-Frobenius Polynominals -- Models for Intersample Response -- Approximate Sampled-data Models for Fractional Order Systems. 330 $aSampled-data Models for Linear and Nonlinear Systems provides a fresh new look at a subject with which many researchers may think themselves familiar. Rather than emphasising the differences between sampled-data and continuous-time systems, the authors proceed from the premise that, with modern sampling rates being as high as they are, it is becoming more appropriate to emphasise connections and similarities. The text is driven by three motives: ·      the ubiquity of computers in modern control and signal-processing equipment means that sampling of systems that really evolve continuously is unavoidable; ·      although superficially straightforward, sampling can easily produce erroneous results when not treated properly; and ·      the need for a thorough understanding of many aspects of sampling among researchers and engineers dealing with applications to which they are central. The authors tackle many misconceptions which, although appearing reasonable at first sight, are in fact either partially or completely erroneous. They also deal with linear and nonlinear, deterministic and stochastic cases. The impact of the ideas presented on several standard problems in signals and systems is illustrated using a number of applications. Academic researchers and graduate students in systems, control and signal processing will find the ideas presented in Sampled-data Models for Linear and Nonlinear Systems to be a useful manual for dealing with sampled-data systems, clearing away mistaken ideas and bringing the subject thoroughly up to date. Researchers in statistics and economics will also derive benefit from the reworking of ideas relating a model derived from data sampling to an original continuous system.  The Communications and Control Engineering series reports major technological advances which have potential for great impact in the fields of communication and control. It reflects research in industrial and academic institutions around the world so that the readership can exploit new possibilities as they become available. 410 0$aCommunications and control engineering. 606 $aSampling (Statistics) 606 $aDiscrete-time systems 606 $aLinear systems 606 $aDifferential equations, Linear 615 0$aSampling (Statistics) 615 0$aDiscrete-time systems. 615 0$aLinear systems. 615 0$aDifferential equations, Linear. 676 $a519.23 700 $aYuz$b Juan I$4aut$4http://id.loc.gov/vocabulary/relators/aut$0861052 702 $aGoodwin$b Graham C$g(Graham Clifford),$f1945- 801 0$bMiFhGG 801 1$bMiFhGG 906 $aBOOK 912 $a9910299463403321 996 $aSampled-Data Models for Linear and Nonlinear Systems$91921619 997 $aUNINA LEADER 03027nam 2200697Ia 450 001 9910953798703321 005 20251116173456.0 010 $a1-134-87210-0 010 $a1-134-87209-7 010 $a1-282-32007-6 010 $a9786612320071 010 $a0-203-13777-9 024 7 $a10.4324/9780203137772 035 $a(CKB)1000000000254751 035 $a(EBL)165883 035 $a(OCoLC)60563517 035 $a(SSID)ssj0000360604 035 $a(PQKBManifestationID)11245658 035 $a(PQKBTitleCode)TC0000360604 035 $a(PQKBWorkID)10347477 035 $a(PQKB)10005726 035 $a(MiAaPQ)EBC165883 035 $a(Au-PeEL)EBL165883 035 $a(CaPaEBR)ebr10058219 035 $a(CaONFJC)MIL232007 035 $a(OCoLC)958105090 035 $a(EXLCZ)991000000000254751 100 $a19950503d1996 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe global jukebox $ethe international music industry /$fRobert Burnett 205 $a1st ed. 210 $aLondon ;$aNew York $cRoutledge$d1996 215 $a1 online resource (186 p.) 225 1 $aCommunication and society 300 $aDescription based upon print version of record. 311 08$a0-415-09276-0 311 08$a0-415-09275-2 320 $aIncludes bibliographical references (p. 153-165) and index. 327 $aBook Cover; Title; Contents; List of figures; List of tables; Acknowledgements; Introduction; Music and the entertainment industry; Music as popular culture; The music industry in transition; The production of popular music; The consumption of popular music; The American example; The Swedish example; Future sounds: a global jukebox?; Postscript; Appendix: Internet World Wide Web (WWW) music home pages; Bibliography; Index 330 $aPopular music is with us constantly. It is part of our everyday environment and in global terms it is now perhaps the most universal means of communication.The Global Jukebox is the first comprehensive study of the international music industry at a time of great change, as the entertainment industry acknowledges its ever growing global audience. Robert Burnett provides an international overview of the music business and its future prospects in the UK, Northern Europe and the United States and Canada. He examines the relationship between local and global cultures and between concent 410 0$aCommunication and society (Routledge (Firm)) 606 $aMusic trade 606 $aPopular music$xHistory and criticism 606 $aMusic$xSocial aspects 615 0$aMusic trade. 615 0$aPopular music$xHistory and criticism. 615 0$aMusic$xSocial aspects. 676 $a338.4778 676 $a338.4778164 700 $aBurnett$b Robert$f1956-$0673791 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910953798703321 996 $aThe global jukebox$94494578 997 $aUNINA