LEADER 03731oam 22006734a 450 001 9910953774103321 005 20231123230433.0 010 $a9780253049971 010 $a0253049970 010 $a9780253049988 010 $a0253049989 035 $a(CKB)4100000011469986 035 $a(MiAaPQ)EBC6357215 035 $a(OCoLC)1287098375 035 $a(MdBmJHUP)musev2_97606 035 $a(MiAaPQ)EBC30720909 035 $a(Au-PeEL)EBL30720909 035 $a(Perlego)1841588 035 $a(EXLCZ)994100000011469986 100 $a20200303d2020 uy 0 101 0 $aeng 135 $auruz#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aStorytelling in Opera and Musical Theater$fNina Penner 205 $a1st ed. 210 1$d2020.$cIndiana University Press,$aBloomington : 215 $a1 online resource (xxvi, 281 pages : illustrations, music) 225 0 $aMusical meaning and interpretation 311 08$a9780253052421 311 08$a0253052424 311 08$a9780253049964 311 08$a0253049962 320 $aIncludes bibliographical references and index. 327 $aOverture -- What Is a Narrative? -- Telling, Operatically -- Character-Narrators -- Orchestral Narration and Authorial Commentary -- Character-Focused Narration -- Works and Performances -- Performances of Works -- Performances as Works -- Finale. 330 $a"Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, she offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st century audiences"--$cProvided by publisher. 410 0$aMusical meaning and interpretation 606 $aStorytelling$2fast$3(OCoLC)fst01134169 606 $aOpera$2fast$3(OCoLC)fst01046145 606 $aMusical theater$2fast$3(OCoLC)fst01030807 608 $aLivres nume?riques. 610 0$aThe?a?tre musical. 610 0$aOpera seria. 610 0$aArt de conter. 610 0$aStorytelling. 610 0$aOpera. 610 0$aMusical theater. 615 7$aStorytelling. 615 7$aOpera. 615 7$aMusical theater. 676 $a782.1 700 $aPenner$b Nina$01805123 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910953774103321 996 $aStorytelling in Opera and Musical Theater$94353553 997 $aUNINA