LEADER 01728nam 2200577 450 001 9910463950203321 005 20200520144314.0 010 $a2-84450-865-0 035 $a(CKB)3240000000129424 035 $a(SSID)ssj0000712373 035 $a(PQKBManifestationID)12305422 035 $a(PQKBTitleCode)TC0000712373 035 $a(PQKBWorkID)10644600 035 $a(PQKB)10654705 035 $a(MiAaPQ)EBC4412956 035 $a(PPN)187276323 035 $a(Au-PeEL)EBL4412956 035 $a(CaPaEBR)ebr11293092 035 $a(OCoLC)962151738 035 $a(EXLCZ)993240000000129424 100 $a20161108h20102010 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aLes chemins des proies $eune histoire de la flibuste /$fJean-Jacques Seymour 210 1$aMatoury, Guyane :$cIbis Rouge E?ditions,$d2010. 210 4$dİ2010 215 $a1 online resource (300 pages) 225 1 $aCollection Espace outre-mer 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a2-84450-365-9 320 $aIncludes bibliographical references. 410 0$aCollection Espace outre-mer. 606 $aBuccaneers 606 $aPirates$zCaribbean Area$xHistory$y16th century 606 $aPirates$zCaribbean Area$xHistory$y17th century 608 $aElectronic books. 615 0$aBuccaneers. 615 0$aPirates$xHistory 615 0$aPirates$xHistory 676 $a972.903 700 $aSeymour$b Jean-Jacques$0971045 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463950203321 996 $aLes chemins des proies$92207163 997 $aUNINA LEADER 05416nam 2200745 a 450 001 9910953306303321 005 20250319235720.0 010 $a9780826264039 010 $a0826264034 035 $a(CKB)1000000000005030 035 $a(OCoLC)55638423 035 $a(CaPaEBR)ebrary10019987 035 $a(SSID)ssj0000199016 035 $a(PQKBManifestationID)11181094 035 $a(PQKBTitleCode)TC0000199016 035 $a(PQKBWorkID)10184366 035 $a(PQKB)11528525 035 $a(MiAaPQ)EBC3570721 035 $a(Au-PeEL)EBL3570721 035 $a(CaPaEBR)ebr10019987 035 $a(OCoLC)56424969 035 $a(BIP)11494340 035 $a(BIP)7544993 035 $a(EXLCZ)991000000000005030 100 $a20020220d2002 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMaternal body and voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith /$fPaula Gallant Eckard 205 $a1st ed. 210 $aColumbia $cUniversity of Missouri Press$dc2002 215 $a1 online resource (245 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780826214027 311 08$a0826214029 320 $aIncludes bibliographical references (p. 207-216) and index. 327 $aIntro -- CONTENTS -- PREFACE -- ACKNOWLEDGMENTS -- ABBREVIATIONS -- Introduction -- 1 Historical and Theoretical Perspectives on Motherhood -- 2 The Bluest Eye -- 3 Sula -- 4 Beloved -- 5 In Country -- 6 Spence + Lila -- 7 Feather Crowns -- 8 Oral History -- 9 Fair and Tender Ladies -- 10 Saving Grace -- 11 Conclusion -- BIBLIOGRAPHY -- INDEX. 330 $aThroughout human history, motherhood and maternal experience have been largely defined and written by patriarchal culture. Religion, art, medicine, psychoanalysis, and other bastions of male power have objectified the maternal and have disregarded female subjectivity. As a result, maternal perspectives have been ignored and the mother's voice silenced. In recent literary texts, however, more substantial attention has been given to motherhood and to the physical, psychological, social, and cultural dynamics affecting maternal experience. In Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith, Paula Gallant Eckard examines how maternal experience is depicted in selected novels by three American writers, emphasizing how they focus on the body and the voice of the mother. These novels include: The Bluest Eye, Sula, and Beloved by Morrison; In Country, Spence + Lila, and Feather Crowns by Mason; and Oral History, Fair and Tender Ladies, and Saving Grace by Smith. By employing this focus, these writers lessen the objectification the maternal has received and restore a rich subjectivity that foregrounds the mother's perspective. Moreover, their fiction reflects a deep concern for history and culture and for a woman's experience of her world. They challenge the traditional representations of black and white motherhood that have appeared in southern literature and society, rendering complex portrayals of motherhood that defy cultural stereotypes. Eckard incorporates historical perspectives on African American and southern motherhood, utilizing the works of Elizabeth Fox-Genovese, Sally McMillen, Deborah White, Jacqueline Jones, and others. She draws upon the feminist criticism of Adrienne Rich, Elaine Showalter, Naomi Schor, Tillie Olsen, Karla F. C. Holloway, Barbara Christian, and others, and the linguistic and psychoanalytic theories of Julia Kristeva, He?le?ne Cixous, and Luce Irigaray. The author also addresses the cross-cultural connections shared by Morrison, Mason, and Smith, showing that, despite their racial and cultural differences, striking similarities can be found in their renderings of maternity. The three women writers employ related image patterns, metaphors, and symbols involving the maternal body. By centering maternity so strongly in their novels, Morrison, Mason, and Smith establish the primacy of the mother and obviate the neglect to which maternal perspectives have been subjected. They restore the mother's lost voice and her diminished subjectivity. Together they depict the maternal as a powerful force that shapes human lives and communities. 606 $aAmerican fiction$xWomen authors$xHistory and criticism 606 $aMothers in literature 606 $aWomen and literature$zUnited States$xHistory$y20th century 606 $aAmerican fiction$y20th century$xHistory and criticism 606 $aMother and child in literature 606 $aHuman body in literature 606 $aMotherhood in literature 606 $aVoice in literature 615 0$aAmerican fiction$xWomen authors$xHistory and criticism. 615 0$aMothers in literature. 615 0$aWomen and literature$xHistory 615 0$aAmerican fiction$xHistory and criticism. 615 0$aMother and child in literature. 615 0$aHuman body in literature. 615 0$aMotherhood in literature. 615 0$aVoice in literature. 676 $a813/.54093520431 700 $aEckard$b Paula Gallant$01787298 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910953306303321 996 $aMaternal body and voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith$94320496 997 $aUNINA