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200 1 $aDe la impotencia a la autoridad$ela Corona espanola y las Audiencias en America 1687-1808$fMark A. Burkholder, D.S. Chandler
210   $aMexico$cFondo de cultura economica$d1984
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101 0 $ager
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 04$aDas zusammengedrängte Gedenken$fSigrid Eyb-Green
210   $aWeitra$cVerlag Bibliothek der Provinz GmbH$d2016
210  1$aWeitra :$cVerlag Bibliothek der Provinz GmbH,$d2016.
215   $a1 online resource (1 p.)
311 08$a9783990280751 
311 08$a3990280759 
330   $aIn 1847, the Austrian painter Leopold Kupelwieser (1796-1862) was commissioned to execute a fresco cycle in the Ceremonial Hall of the Niederösterreichische Statthalterei (Lower Austrian Government Building, Vienna), depicting scenes from Austrian history. Iconographic aspects of each painting, using pictorial and literary sources as well as pointing out biographical connections and artistic forebears and influences, are being discussed. The complex interplay between art technology and conceptual statements manifests itself particularly articulate in the focal point of cartoon and fresco; accordingly, this study approaches Kupelwiesers work through the description of the materials he used and the way he processed them.
606   $aThe Arts$2bicssc
610   $a19. Jahrhundert
610   $aartistic process
610   $acartoon
610   $afrescoe cycle
610   $aFreskenzyklus
610   $aFresko
610   $aGeschichtsdarstellung
610   $ahistory painting
610   $aKarton
610   $aLeopold Kupelwieser
610   $aPapier
610   $aWerkprozess
610   $aWien
615  7$aThe Arts
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