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035   $a(OCoLC)1163631799
035   $a(MdBmJHUP)musev2_82005
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100   $a20201021d2020      uy         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aPerformance, Subjectivity, and Experimentation$fedited by CatherineLaws
210  1$aLeuven, Belgium :$cLeuven University Press,$d[2020]
210  4$dİ2020
215   $a1 online resource (240 pages) $cillustrations
311 08$a94-6166-615-2 
311 08$a94-6270-231-4 
330 8 $aMusic reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses or represents "an' individual or "a" group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.
606   $aSubjectivity in music$2fast$3(OCoLC)fst01136581
606   $aSubjectivite dans la musique
606   $aSubjectivity in music
608   $aLivres numeriques.
615  7$aSubjectivity in music.
615  0$aSubjectivite dans la musique.
615  0$aSubjectivity in music.
676   $a784.2184092
702   $aLaws$b Catherine
712 02$aProQuest (Firme)
801  0$bMdBmJHUP
801  1$bMdBmJHUP
906   $aBOOK
912   $a9910947813303321
996   $aPerformance, Subjectivity, and Experimentation$94532344
997   $aUNINA