LEADER 01206nam--2200373---450- 001 990001194800203316 005 20090417093001.0 035 $a000119480 035 $aUSA01000119480 035 $a(ALEPH)000119480USA01 035 $a000119480 100 $a20031014d1968----km-y0itay0103----ba 101 0 $aeng 102 $aUS 105 $a||||||||001yy 200 1 $aAlgebraic theory of machines, languages, and semigroups$fedited by Michael A. Arbib$gwith a major contribution by Kenneth Krohn and L. Rhodes 210 $aNew York$cAcademic Press$d1968 215 $aXVI, 359 p.$d23 cm 702 1$aARBIB,$bMichael A. 702 1 $aKROHN,$bKenneth 702 1 $aRHODES,$bJohn L. 801 0$aIT$bsalbc$gISBD 912 $a990001194800203316 951 $aII.6. 506(XII H 5)$b45905 L.M.$cXII H 951 $a511.3 ALG (A)$b4024/CBS$c511.3$d00216123 959 $aBK 969 $aUMA 969 $aSCI 979 $aSIAV7$b10$c20031014$lUSA01$h1535 979 $aPATRY$b90$c20040406$lUSA01$h1726 979 $aCOPAT5$b90$c20050510$lUSA01$h1137 979 $aRSIAV6$b90$c20090417$lUSA01$h0930 996 $aAlgebraic theory of machines, languages, and semigroups$9985545 997 $aUNISA LEADER 01503nam 2200517Ia 450 001 9910450213803321 005 20200520144314.0 035 $a(CKB)1000000000032853 035 $a(CtWfDGI)bks00004896 035 $a(SSID)ssj0000278546 035 $a(PQKBManifestationID)11219259 035 $a(PQKBTitleCode)TC0000278546 035 $a(PQKBWorkID)10246303 035 $a(PQKB)11087728 035 $a(MiAaPQ)EBC3384729 035 $a(Au-PeEL)EBL3384729 035 $a(CaPaEBR)ebr10080002 035 $a(OCoLC)61492352 035 $a(EXLCZ)991000000000032853 100 $a20050510d2005 my 0 101 0 $aeng 135 $aurzn|||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDegunking Microsoft Office$b[electronic resource] /$fWayne Palaia, Christina Palaia 210 $aScottsdale, Ariz. $cParaglyph Press, Inc.$dc2005 215 $axxvi, 385 p. $cill 300 $aIncludes index. 300 $aUser level: novice to intermediate. 311 $a1-932111-95-6 606 $aBusiness$xComputer programs 606 $aIntegrated software 608 $aElectronic books. 615 0$aBusiness$xComputer programs. 615 0$aIntegrated software. 676 $a005.5 700 $aPalaia$b Wayne$0970826 701 $aPalaia$b Christina$0970827 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450213803321 996 $aDegunking Microsoft Office$92206636 997 $aUNINA LEADER 03743oam 22006254a 450 001 9910917182703321 005 20240506031247.0 010 $a9781612494890 010 $a1612494897 010 $a9781612494883 010 $a1612494889 035 $a(CKB)4340000000194492 035 $a(MiAaPQ)EBC4946381 035 $a(OCoLC)1001354443 035 $a(MdBmJHUP)musev2_83906 035 $a(Perlego)1589253 035 $a(EXLCZ)994340000000194492 100 $a20170725d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aMarvelous Bodies$eItaly's New Migrant Cinema /$fVetri Nathan, PhD 205 $a1st ed. 210 1$aWest Lafayette, Ind. :$cPurdue University Press,$d2017. 210 4$dİ2017. 215 $a1 online resource (267 pages) $cillustrations 225 0 $aPurdue studies in Romance literatures 300 $aBased on the author's dissertation (doctoral)-- Stanford University, 2009. 311 08$a9781557537737 311 08$a1557537739 320 $aIncludes bibliographical references (pages 233-241), filmography and index. 327 $aIntroduction. Detourism: Italy's new migrant cinema -- Cultural hybridity in Italy -- Beyond neorealism: the cinematic body-as-nation -- Ambivalent geographies -- Ambivalent desires -- Ambivalent moralities -- Conclusion: inside the paradise of marvelous bodies. 330 8 $aHistorically a source of emigrants to Northern Europe and the New World, Italy has rapidly become a preferred destination for immigrants from the global South. Life in the land of la dolce vita has not seemed so sweet recently, as Italy struggles with the cultural challenges caused by this surge in immigration. Marvelous Bodies by Vetri Nathan explores thirteen key full-length Italian films released between 1990 and 2010 that treat this remarkable moment of cultural role reversal through a plurality of styles. In it, Nathan argues that Italy sees itself as the quintessential internal Other of Western Europe, and that this subalternity directly influences its cinematic response to immigrants, Europe's external Others. In framing his case to understand Italy's cinematic response to immigrants, Nathan first explores some basic questions: Who exactly is the Other in Italy? Does Italy's own past partial alterity affect its present response to its newest subalterns? Drawing on Homi Bhabha's writings and Italian cinematic history, Nathan then posits the existence of marvelous bodies that are momentarily neither completely Italian nor completely immigrant. This ambivalence of forms extends to the films themselves, which tend to be generic hybrids. The persistent curious presence of marvelous bodies and a pervasive generic hybridity enact Italy's own chronic ambivalence that results from its presence at the cultural crossroads of the Mediterranean. 410 0$aPurdue studies in Romance literatures. 606 $aImmigrants in motion pictures 606 $aItalians in motion pictures 606 $aEmigration and immigration in motion pictures 606 $aMotion pictures$zItaly$yHistory$y21st century 606 $aMotion pictures$zItaly$yHistory$y20th century 608 $aElectronic books. 615 0$aImmigrants in motion pictures. 615 0$aItalians in motion pictures. 615 0$aEmigration and immigration in motion pictures. 615 0$aMotion pictures 615 0$aMotion pictures 676 $a791.430945 700 $aNathan$b Vetri$f1980-$01780164 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910917182703321 996 $aMarvelous Bodies$94303793 997 $aUNINA