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100   $a20230625d2020      uy         0
101 0 $afre
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aLa Nouvelle Femme Dans le Théâtre Britannique $e1890-1914
205   $a1st ed.
210  1$aParis :$cEditions L'Harmattan,$d2020.
210  4$d©2020.
215   $a1 online resource (289 pages)
225 1 $aUnivers Théâtral Series
311   $a2-343-10827-7 
330   $aEleanor Stewart's book examines the emergence of the 'New Woman' in British theatre from 1890 to 1914, a period marked by significant social and political changes. The work explores how the theatre served as a platform for feminist ideas, focusing on three key dramatic movements: Society Drama, New Drama, and suffragist theatre. Stewart analyzes the transformation of female characters from private dissenters to active militants, highlighting the contributions of playwrights like Elizabeth Robins and Cicely Hamilton. The book delves into the intersection of gender identity and drama, emphasizing the impact of realism in reshaping theatrical narratives. Intended for scholars and enthusiasts of theatre and feminist studies, it provides a detailed exploration of the cultural and artistic exchanges of the time.$7Generated by AI.
410  0$aUnivers Théâtral Series
517   $aLa nouvelle femme dans le théâtre britannique 
517   $aNouvelle Femme dans le thé"tre britannique
517   $aNouvelle femme dans le théâtre britannique 
606   $aFeminism and theater$7Generated by AI
606   $aWomen in the theater$7Generated by AI
615  0$aFeminism and theater.
615  0$aWomen in the theater.
700   $aStewart$b Eleanor$0214764
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910915646503321
996   $aLa Nouvelle Femme Dans le Théâtre Britannique$94301751
997   $aUNINA