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010   $a9783031740428
010   $a3031740424
024 7 $a10.1007/978-3-031-74042-8
035   $a(CKB)36701952500041
035   $a(MiAaPQ)EBC31806912
035   $a(Au-PeEL)EBL31806912
035   $a(DE-He213)978-3-031-74042-8
035   $a(EXLCZ)9936701952500041
100   $a20241129d2024      u|         0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aEssay Cinema in the Digital Era /$fby James Slaymaker
205   $a1st ed. 2024.
210  1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2024.
215   $a1 online resource (276 pages)
311 08$a9783031740411 
311 08$a3031740416 
327   $aChapter 1 -- Introduction.-Chapter 2 -- Essay Cinema and Technological Innovation.-Chapter 3 -- Interactivity and Dialogical Exchange in Chris Marker?s Immemory and Ouvroir.-Chapter 4.-Jean-Luc Godard, Intertextuality, and Digital Remix Culture.-Chapter 5.-Capturing the Domestic Space in an Era of Ubiquitous Digital Media: Chantal Akerman?s No Home Movie.-Chapter 6.-Simulation, Gameplay, and the Non-Indexical Image in Harun Farocki?s Serious Games I-IV and Parallel I-IV.-Chapter 7.-Conclusion: Essaying the Future.-Index.
330   $aThis book explores the impact of digital technology on the essay film in the early 21st century, arguing that the cinematic essay has been associated with technological evolution throughout its history. The author considers the output of four towering figures in essay filmmaking: Harun Farocki, Chris Marker, Chantal Akerman and Jean-Luc Godard, and explores the ways in which these directors utilise aesthetic strategies, editing techniques, and modes of spectatorial address that are rooted in the capabilities of digital technologies. Slaymaker conceptualises the cinematic essay as a self-reflexive mode of nonfiction cinema?one that foregrounds the filmmaking apparatus and the act of its own making, and which thereby launches an inquiry into the ontological nature of the cinematic image, the tools which construct it, and the wider artistic landscape in which it is embedded. James Slaymaker is a filmmaker, researcher and Teaching Fellow in Film Studies at Trinity College Dublin. He has written numerous journal articles, book chapters and conferences papers on digital technology, European cinema, the essay film, and experimental film. He is also a prolific writer of popular film criticism.
606   $aExperimental films
606   $aMotion picture plays, European
606   $aExperimental Film
606   $aEuropean Film and TV
615  0$aExperimental films.
615  0$aMotion picture plays, European.
615 14$aExperimental Film.
615 24$aEuropean Film and TV.
676   $a791.4361
700   $aSlaymaker$b James$01777421
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910913789703321
996   $aEssay Cinema in the Digital Era$94298218
997   $aUNINA