LEADER 04221nam 22006135 450 001 9910911291503321 005 20241123115234.0 010 $a9783031755156 010 $a3031755154 024 7 $a10.1007/978-3-031-75515-6 035 $a(MiAaPQ)EBC31803908 035 $a(Au-PeEL)EBL31803908 035 $a(CKB)36672608500041 035 $a(DE-He213)978-3-031-75515-6 035 $a(EXLCZ)9936672608500041 100 $a20241123d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA Century of the Media in Italian-Albanian Cultural Relationships /$fby Vito Saracino 205 $a1st ed. 2024. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (229 pages) 311 08$a9783031755149 311 08$a3031755146 327 $a -- Chapter 1. Introduction -- Chapter 2. "Unity, independence of Albania were proclaimed here and protection and friendship was promised to Italy" -- Chapter 3. Image and paper propaganda: the cinematographic and literary contribution to the Italian hegemony in Albania -- Chapter 4. The advent of the "entertainment society" in the "impenetrable fortress" of Albania -- Chapter 5. The exodus of freedom: the rapid transformations of Albania in the nineties -- Chapter 6. Albania between Italy, Europe and New Horizons. 330 $aThis book delves into the complex historical, cultural, and educational ties between Italy and Albania within the realm of media studies, examining various mediums such as press, radio, television, cinema, and the web. Beginning in the late nineteenth century with the inception of the first Albanian-language newspapers in Italy, the analysis progresses to explore the evolving relationship between Albanians and radio, initially focusing on Italian broadcasts before transitioning to national channels. Rapidly, Italian radio becomes a tool for fascist soft power, facilitating fascist Italy's occupation of Albania in 1939. The second section delves into the communist propaganda apparatus, encompassing radio, television, cinema, and music. It offers a comprehensive exploration of television's evolution, from its tentative beginnings in the 1960s to the proliferation of private broadcasters in the post-communist era. Concluding with the emergence of the internet, the book highlights the significant decline of Italian soft power in Albania and the Southern Balkans over the past 15 years. Instead, these regions increasingly look towards the Anglo-Saxon and Turkish spheres as models, not only in media but also in terms of migration and development. Vito Saracino is a researcher specializing in the concept of cultural hegemony in the field of media studies. He is currently the Coordinator of research activities abroad at the Gramsci Foundation of Puglia. Previously, he served as a Research Fellow on the project "Local Information as a Social Construction" and as an Adjunct Professor of Social History of the Media at the Department of Economics, Management, and Territory at the University of Foggia; Contemporary History at the Department of Economics at the University of Foggia, and Digital Politics in the course of "Digital Innovation and Communication" at IUL University. 606 $aCommunication 606 $aInformation theory 606 $aMass media and history 606 $aEthnology$zEurope 606 $aCulture 606 $aMedia and Communication Theory 606 $aMedia and Communication History 606 $aEuropean Culture 615 0$aCommunication. 615 0$aInformation theory. 615 0$aMass media and history. 615 0$aEthnology 615 0$aCulture. 615 14$aMedia and Communication Theory. 615 24$aMedia and Communication History. 615 24$aEuropean Culture. 676 $a302.201 700 $aSaracino$b Vito$01776546 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910911291503321 996 $aA Century of the Media in Italian-Albanian Cultural Relationships$94294526 997 $aUNINA LEADER 03124nam 22006015 450 001 9910483722703321 005 20250610110215.0 010 $a9783030483432 010 $a3030483436 024 7 $a10.1007/978-3-030-48343-2 035 $a(CKB)4100000011463737 035 $a(MiAaPQ)EBC6353743 035 $a(DE-He213)978-3-030-48343-2 035 $a(Perlego)3480727 035 $a(MiAaPQ)EBC6353588 035 $a(MiAaPQ)EBC29224598 035 $a(EXLCZ)994100000011463737 100 $a20200919d2020 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Challenge of World Theatre History /$fby Steve Tillis 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (XI, 320 p. 5 illus.) 311 08$a9783030483425 311 08$a3030483428 327 $a1. Introduction -- 2. Chapter 1: The Case Against World Theatre History -- 3. Chapter 2. The Fallacies of the Standard Western Approach -- 4. Chapter 3. Theatrical Events and Theatre Forms -- 5. Chapter 4. The Geography of World Theatre History -- 6. Chapter 5. The Long View of World Theatre History -- 7. Chapter 6. Continuity and Change in World Theatre History -- 8. Chapter 7. The Periodicity of World Theatre History. 330 $aThe future of theatre history studies requires consideration of theatre as a global phenomenon. The Challenge of World Theatre History offers the first full-scale argument for abandoning an obsolete and parochial Eurocentric approach to theatre history in favor of a more global perspective. This book exposes the fallacies that reinforce the conventional approach and defends the global perspective against possible objections. It moves beyond the conventional nation-based geography of theatre in favor of a regional geography and develops a new way to demarcate the periods of theatre history. Finally, the book outlines a history that recognizes the often-connected developments in theatre across Eurasia and around the world. It makes the case that world theatre history is necessary not only for itself, but for the powerful comparative and contextual insights it offers to all theatre scholars and students, whatever their special areas of interest. 606 $aPerforming arts 606 $aTheater 606 $aTheater$xHistory 606 $aTheatre and Performance Arts 606 $aGlobal and International Theatre and Performance 606 $aTheatre History 615 0$aPerforming arts. 615 0$aTheater. 615 0$aTheater$xHistory. 615 14$aTheatre and Performance Arts. 615 24$aGlobal and International Theatre and Performance. 615 24$aTheatre History. 676 $a792.09 676 $a301 700 $aTillis$b Steve$0971625 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483722703321 996 $aThe challenge of world theatre history$92208979 997 $aUNINA