LEADER 03481oam 22005652 450 001 9910901890403321 005 20230619104311.0 010 $a9780262375122 010 $a0262375125 010 $a9780262375139 010 $a0262375133 035 $a(MiAaPQ)EBC30331647 035 $a(Au-PeEL)EBL30331647 035 $a(OCoLC)1357548970 035 $a(OCoLC-P)1357548970 035 $a(MaCbMITP)14060 035 $a(CKB)28269159900041 035 $a(EXLCZ)9928269159900041 100 $a20221031d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMaking meaning with machines $esomatic strategies, choreographic technologies, and notational abstractions through a Laban/Bartenieff lens /$fAmy LaViers and Catherine Maguire 205 $a1st ed. 210 1$aCambridge, Massachusetts :$cThe MIT Press,$d[2023] 215 $a1 online resource (362 pages) 311 08$aPrint version: LaViers, Amy Making Meaning with Machines Cambridge : MIT Press,c2023 9780262546126 327 $aIntro -- Title Page -- Copyright -- Dedication -- Table of Contents -- Preface -- Acknowledgments -- Electronic Resources -- Prelude: Opening with Embodied Perspectives -- Introduction: Inviting Engineers into Movement Studies -- I. Making Meaning through Movement -- 1. Noticing Movement: Meaning, Measurement, and Experience -- 2. Studying Movement: Somatics, Choreography, and Notation -- 3. Constructing Movement: Somatic Strategies, Choreographic Technologies, and Notational Abstractions through a Laban/Bartenieff Lens -- II. Describing Movement with an Embodied Taxonomy: The BESST System -- 4. What Is Moving? The Interconnection of Body Parts and Action (Body) -- 5. Where Is the Movement? Spatial Fiducials for Movement (Space) -- 6. When Is the Movement Happening? The Temporal Perception of Movement (Time) -- 7. For Whom Is the Movement? The Relationship between Mover and Environment (Shape) -- 8. How Is the Movement Executed? Movement Quality Enables Shading of Motion (Effort) -- III. Translating Movement to Machines -- 9. Deconstructing Movement: Case Studies in Expression (Answering "Why?") -- 10. Notating Movement: Advanced Analysis through Symbolic Representation -- Conclusion: Understanding Movement -- Outro: Returning to Embodied Perspectives -- Appendix A: Symbols in the BESST System -- Appendix B: Movement Scales -- Appendix C: Effort Configurations -- Appendix D: Rationale for the Time Component -- Appendix E: Pedagogy and Group Work -- Glossary -- References -- Index. 330 $a"Using a well-known and successful dance and performance method, the authors describe how avatars and robots can be designed to be more comfortable with these technologies"--$cProvided by publisher. 606 $aRobots$xMotion 606 $aHuman mechanics 606 $aMovement, Aesthetics of 606 $aMovement notation 606 $aBartenieff Fundamentals (Service mark) 615 0$aRobots$xMotion. 615 0$aHuman mechanics. 615 0$aMovement, Aesthetics of. 615 0$aMovement notation. 615 0$aBartenieff Fundamentals (Service mark) 676 $a670.42/72 700 $aLaViers$b Amy$01772494 702 $aMaguire$b Cat 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910901890403321 996 $aMaking meaning with machines$94273255 997 $aUNINA