LEADER 02418oam 22005532 450 001 9910901888403321 005 20240123140715.0 010 $z9780262547352$b(paperback) 010 $a9780262377362$b(pdf) 010 $a0262377365 010 $a9780262377379$b(epub) 010 $a0262377373 035 $a(OCoLC)1381468129 035 $a(CKB)30036075000041 035 $a(MiAaPQ)EBC30540425 035 $a(Au-PeEL)EBL30540425 035 $a(OCoLC-P)1381468129 035 $a(MaCbMITP)15050 035 $a(EXLCZ)9930036075000041 100 $a20230606d2024 uy 0 101 0 $aeng 135 $auraz#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPsychoacoustic foundations of major-minor tonality /$fRichard Parncutt 205 $a1st ed. 210 1$aCambridge, Massachusetts :$cThe MIT Press,$d2024. 215 $a1 online resource (456 pages) 311 08$a9780262547352 320 $aIncludes bibliographical references and index. 327 $aPart I. Interdisciplinary Introduction. Definitions ; Approaches ; Rudiments -- II. Extra-Musical Foundations. Metaphysics ; Auditory Scene Analysis ; Auditory Sensitivity -- III. Musical Foundations. Matthew Shirlaw ; Hugo Riemann ; Diverse Epistemologies ; Scales and Intervals ; Chant and the Leading Tone ; Notation, Accidentals, and Enharmonics -- IV. Perception of Sonority. Pitch ; Consonance and Dissonance ; The Root of a Chord ; Spectral Pitch in Chords ; Jazz Harmony -- V. Perception of Progression. Pitch Commonality ; Tonality ; Progression and Modulation ; Structural Cognition -- VI. The Big Picture. Theoretic Evaluation ; Universals and Diversity. 330 $a"A leading music psychologist and theorist explains how Major-Minor Tonality came to assume its dominant place within music composition"--$cProvided by publisher. 606 $aTonality 606 $aPsychoacoustics 606 $aChords (Music) 606 $aMusical intervals and scales 615 0$aTonality. 615 0$aPsychoacoustics. 615 0$aChords (Music) 615 0$aMusical intervals and scales. 676 $a781.2/6 700 $aParncutt$b Richard$f1957-$01634176 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910901888403321 996 $aPsychoacoustic foundations of major-minor tonality$94273236 997 $aUNINA