LEADER 05065nam 22005535 450 001 9910897988003321 005 20250808090407.0 010 $a9783031670732 010 $a3031670736 024 7 $a10.1007/978-3-031-67073-2 035 $a(CKB)36382796600041 035 $a(MiAaPQ)EBC31733351 035 $a(Au-PeEL)EBL31733351 035 $a(DE-He213)978-3-031-67073-2 035 $a(EXLCZ)9936382796600041 100 $a20241018d2024 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWriting and Producing for Children and Young Audiences $eCases from Danish Film and Television /$fby Eva Novrup Redvall 205 $a1st ed. 2024. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (267 pages) 225 1 $aPalgrave Studies in Screenwriting,$x2731-4499 311 08$a9783031670725 311 08$a3031670728 320 $aIncludes bibliographical references and index. 327 $aPart I: Entering the Caste -- Chapter 1: Introduction.-Chapter 2: Representations and Discursive Formations of Caste: A Theoretical Framework -- Chapter 3: Contesting Voices of Gandhi and Ambedkar in Dalit Representations: Mulk Raj Anand's Untouchable and Amitabh's"Harijan Mastar" -- Chapter 4: Discourse of Sympathy, Violence, and Victimhood - I: Rohinton Discourse of Sympathy, Violence, and Victimhood - I: Rohinton -- Chapter 5: Discourse of Sympathy, Violence, and Victimhood - I: Rohinton Roy's The God of Small Things and Laxman Mane's Upara -- Part III: Accentuating Caste Prejudices: Pejorative Discourse -- Chapter 6: Discourse of Difference and Merit: Manu Joseph's Serious Men and Discourse of Difference and Merit: Amitabh's "Janmakhoon!" -- Chapter 7: Re-writing Violence and Victimhood: Aravind Adiga's The White Tiger and Meena Kandasamy's The Gypsy Goddess -- Part IV: Comparing Representational Paradigms Chapter 8: Conclusion. 330 $a?Redvall?s book is a sophisticated analysis that engagingly explores best practices and strategies for making film and television for children and young audiences. It is a much-needed contribution that is valuable across borders and media, seen in the light of a new audience exploration turn.? ? Paolo Russo, Senior Lecturer in Film Studies at Oxford Brookes University ?This insightful and timely book underscores the importance of researching children?s screen production cultures after a period of significant industrial upheaval. Through its detailed analysis of the Danish context, it provides valuable insights into the challenges facing all film and television writers and producers wanting to create engaging, relevant content for the distinctive, and increasingly elusive, child audience.? -- Anna Potter, Professor in Digital Media and Cultural Studies at QUT This book offers a comprehensive analysis of the writing and production strategies used in live-action fiction film and television produced for children and young audiences, in a period marked by remarkable change in screen consumption. Building on ideas and research from the fields of screenwriting, production, and media industry studies, the book uses case studies of Danish film and television productions targeting children ? from toddlers to teenagers ? to explore general challenges for reaching young audiences in the multiplatform mediascape, as well as to identify specific screenwriting practices and production frameworks. The study investigates industry notions of children and adolescents as a particular audience, exploring new methods of grounding productions for them through more inquiry-driven and co-creative writing and production practices, combined with new forms of knowledge-sharing and talent-training initiatives. Eva Novrup Redvall is Associate Professor at the University of Copenhagen, Denmark, where she is Head of the Section for Film Studies and Creative Media Industries. Her research focuses on screenwriting and production, and she has published widely on this since her monograph Writing and Producing Television Drama in Denmark: From The Kingdom to The Killing. This book builds on findings from the research project Reaching Young Audiences, funded by Independent Research Fund Denmark and headed by Redvall from 2019?2024. . 410 0$aPalgrave Studies in Screenwriting,$x2731-4499 606 $aMotion picture authorship 606 $aMotion picture plays, European 606 $aScreenwriting 606 $aEuropean Film and TV 615 0$aMotion picture authorship. 615 0$aMotion picture plays, European. 615 14$aScreenwriting. 615 24$aEuropean Film and TV. 676 $a791.436523 700 $aRedvall$b Eva Novrup$01792047 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910897988003321 996 $aWriting and Producing for Children and Young Audiences$94330023 997 $aUNINA