LEADER 05567nam 22006973 450 001 9910897545303321 005 20250905110044.0 010 $a1-4696-8830-1 010 $a1-4696-7769-5 010 $a1-4696-8831-X 010 $a1-4696-8185-4 010 $a1-4696-7770-9 035 $a(MiAaPQ)EBC31520442 035 $a(Au-PeEL)EBL31520442 035 $a(CKB)32691719800041 035 $a(OCoLC)1446479398 035 $a(MdBmJHUP)musev2_125833 035 $a(ODN)ODN0010970750 035 $a(EXLCZ)9932691719800041 100 $a20240710d2024 uy 0 101 0 $aspa 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSin Miedo a Las Ruinas $eAnarquismo, Vanguardias Artísticas y la Crisis de Representación en España (1930-1937) 205 $a1st ed. 210 1$aChapel Hill :$cUniversity of North Carolina, Studies in Romance Languages & Literatures,$d2024. 210 4$d©2024. 215 $a1 online resource (295 pages) 225 1 $aNorth Carolina Studies in the Romance Languages and Literatures Series ;$vv.326 311 08$a1-4696-7768-7 320 $aIncludes bibliographical references and index. 327 $aAnarquismo(s), vanguardia(s) y el problema de la representacio?n: la crisis institucional de entreguerras -- Crisis del lenguaje arti?stico (o la cri?tica a la representacio?n simbo?lica). La edad de oro de Luis Bun?uel: el lenguaje fi?lmico de la anarqui?a -- Crisis del artista/intelectual (o la cri?tica a la representacio?n cultural). Helios Go?mez y la encrucijada del artista revolucionario de entreguerras -- Crisis del orden patriarcal (o la cri?tica a la representacio?n femenina). Vanguardia y anarco-feminismo en Luci?a Sa?nchez Saornil: la reescritura de "la palabra MUJER" -- Crisis del teatro (o la cri?tica a la representacio?n drama?tica). Comedia sin ti?tulo de Federico Garci?a Lorca: el teatro y sus laberintos -- Crisis del Estado (o la cri?tica a la representacio?n poli?tica). Alberto Sa?nchez y la escultura como camino popular -- Crisis del imperio (o la cri?tica a la representacio?n colonial). Wilfredo Lam en Espan?a (1923-1938): la lenta construccio?n del "caballo de Troya." 330 $a"When talking about 'artistic avant-garde', or 'historical avant-garde', whose emergence we commonly place in the first third of the 20th century, it is not strange to use the qualifying adjective 'anarchic'. This adjective, often ambiguous, alludes to a certain disruptive atmosphere associated with the period, which in the Spanish case refers to a historical reality: the coexistence, during the Second Spanish Republic (1931-1939), of highly politicized aesthetic isms with an important anarchist movement. Now, where do the avant-garde of galleries, pavilions, and magazines converge or distance themselves from the revolutionary actions of the CNT? To what extent do the practices of libertarian obrerismo correspond with the experimental theater of Garci?a Lorca, the cinema of Luis Bun?uel, or Alberto Sa?nchez's sculpture? And with the feminist literature of Luci?a Sa?nchez Saornil, the proletarian engraving of Helios Go?mez, or the anticolonial painting of Wifredo Lam? Sin miedo a las ruinas proposes that the answer to these questions is to be found in the common questioning, by avant-garde and anarchists, not only of the dominant system of representation, but of the very concept of 'representation' and its alleged transparency. This book explores the limits of what can be represented, about the struggles and associated 'ruins' of representation, and of course, about its reconstructions; a book about the liberating potential that emerges between institutions and their worn-out ways of representing, whether political or artistic; a book, in short, about that libertarian drive, 'without fear of ruins,' that destroys and reorders the real under new collective principles, and that featured avant-garde art and Iberian anarchism at a critical moment in its history. Both isms, beyond their caricature as 'nihilistic', 'chaotic', 'utopian' or 'naive' phenomena, tested liberating proposals that we believe deserve to be revised. To this end, we propose this essay-collage of avant-garde 'texts,' genres, and authors that invite the reader to rethink the relationship between art and politics in republican Spain. And wherever representation is in crisis"--$cProvided by publisher. 410 0$aNorth Carolina studies in the Romance languages and literatures 606 $aAnarchisme$zEspagne$xHistoire 606 $aRepresentation (Philosophie) 606 $aAnarchisme et art 606 $aArts, Spanish$xHistory$y20th century$xPolitical aspects 606 $aAnarchism$zSpain$xHistory 606 $aRepresentation (Philosophy) 606 $aAnarchism and art 606 $aAvant-garde (Aesthetics)$zSpain$xHistory$y20th century 615 6$aAnarchisme$xHistoire. 615 6$aRepresentation (Philosophie) 615 6$aAnarchisme et art. 615 0$aArts, Spanish$xHistory$xPolitical aspects. 615 0$aAnarchism$xHistory. 615 0$aRepresentation (Philosophy) 615 0$aAnarchism and art. 615 0$aAvant-garde (Aesthetics)$xHistory 676 $a700/.411094609043 700 $aBarrios$b Luis González$01766922 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910897545303321 996 $aSin Miedo a Las Ruinas$94211684 997 $aUNINA