LEADER 01290nam 2200253la 450 001 9910482460003321 005 20221108095327.0 035 $a(UK-CbPIL)2090367337 035 $a(CKB)5500000000092574 035 $a(EXLCZ)995500000000092574 100 $a20210618d1573 uy | 101 0 $afre 135 $aurcn||||a|bb| 200 10$aArt et moyen parfaict de tirer huyles et eaux, de tous medicaments simples et oleogineux. Premièrement receu d'un certain empirique qu'on estimoit Alleman, et depuis confirmé par raisons et experiences. Nouvellement corrigé et augmenté d'un second livre ... / [Jacques Besson]$b[electronic resource] 210 $aParis $cGalliot Du Pré$d1573 215 $aOnline resource (31 [i. e. 32] l. : woodcut on t.p., woodcuts, ill. , (8vo)) 300 $aReproduction of original in The Wellcome Library, London. 700 $aBesson$b Jacques$0716554 801 0$bUk-CbPIL 801 1$bUk-CbPIL 906 $aBOOK 912 $a9910482460003321 996 $aArt et moyen parfaict de tirer huyles et eaux, de tous medicaments simples et oleogineux. Premièrement receu d'un certain empirique qu'on estimoit Alleman, et depuis confirmé par raisons et experiences. Nouvellement corrigé et augmenté d'un second livre ...$92267206 997 $aUNINA LEADER 00406nas 2200157z- 450 001 9910891859303321 035 $a(CKB)4920000000476804 035 $a(EXLCZ)994920000000476804 100 $a20200420cuuuuuuuu -u- - 101 0 $aeng 200 00$aAnnual Report / Aachener Verfahrenstechnik, RWTH 210 $cAVT 906 $aJOURNAL 912 $a9910891859303321 996 $aAnnual report$9162222 997 $aUNINA LEADER 01255cam a2200253 4500 001 991003122719707536 005 20250430125950.0 008 950328s1735 it b 000 0 ita 035 $ab14284339-39ule_inst 035 $aCICOGNARA-3592$9ExL 040 $aBibl. Interfacoltà T. Pellegrino$bita 100 1 $aPoleni, Giovanni,$cmarchese$d<1683-1761.>$036559 245 10$aDegli antichi teatri, e anfiteatri.$bLettere due critiche$cl'una del signor marchese Giovanni Poleni ..., l'altra del signor conte Giovanni Montenari. 260 $aVicenza$b[s.n.]$c1735. 300 $a48 p.; $c19 cm. 500 $aRiproduzione in microfiche dell'originale conservato presso la Biblioteca Apostolica Vaticana 787 18$iLeopoldo Cicognara Program :$tBiblioteca Cicognara$h[microform] : literary sources in the history of art and kindred subjects 787 18$tCatalogo ragionato dei libri d'arte e d'antichità / Leopoldo Cicognara 907 $a.b14284339$b01-04-22$c28-07-16 912 $a991003122719707536 945 $aLE002 SB Raccolta Cicognara, mcrf 798$g0$lle002$pE0.00$rn$so $t11$u0$v0$w0$x0$y.i15755617$z28-07-16 996 $aDegli antichi teatri, e anfiteatri$91390378 997 $aUNISALENTO 998 $ale002$b28-07-16$cm$dg $e-$fita$git $h0$i1 LEADER 04047nam 22006133 450 001 9911009162503321 005 20240806080308.0 010 $a1-9788-3683-X 035 $a(MiAaPQ)EBC31580032 035 $a(Au-PeEL)EBL31580032 035 $a(CKB)33645670600041 035 $a(DE-B1597)701215 035 $a(DE-B1597)9781978836839 035 $a(OCoLC)1451807480 035 $a(EXLCZ)9933645670600041 100 $a20240806d2024 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGlobal Film Color $eThe Monopack Revolution at Midcentury 205 $a1st ed. 210 1$aNew Brunswick :$cRutgers University Press,$d2024. 210 4$d©2024. 215 $a1 online resource (259 pages) 311 08$a1-9788-3681-3 311 08$a1-9788-3680-5 327 $aCover -- Title Page -- Copyright -- Contents -- Introduction -- 1. Mapping the Laboratory: Technicolor across Asia and Europe -- 2. "Keeping Your Enemies Closer": Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen -- 3. "We're Not in Sweden Anymore": Technicolor's Brief Venture in Swedish Cinema -- 4. "Risk versus Conformity": Soviet Color Film, 1956-1982 -- 5. Eastman Color in 1960s India -- 6. Coloring the Coastline: Italian Beachside Comedies and the Color Film Transition -- 7. Technological and Athletic Splendor: The Formation of Color in the Socialist Sports Film in China -- 8. The Chinese Film Collection at the University of South Carolina -- 9. The Lights That Raised Up a Storm: Neon and the Nikkatsu Action Color Film, 1957-1963 -- 10. Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s -- 11. British Film Criticism and Global Color -- 12. All about Landscape: The Shift to Color in Australian Film at Midcentury -- 13. Moving Monochromatics: Paul Sharits and Color Field Aesthetics in a Global Context -- 14. On Vivid Colors and Afrotropes in African and Diasporic Cinemas -- Acknowledgments -- Notes on Contributors -- Index. 330 $aGlobal Film Color: The Monopack Revolution at Midcentury explores color filmmaking in a variety of countries and regions including India, China, Japan, and Russia, and across Europe and Africa. Most previous accounts of color film have concentrated on early 20th century color processes and Technicolor. Far less is known about the introduction and application of color technologies in the period from the mid-1940s to the 1980s, when photochemical, ?monopack? color stocks came to dominate global film markets. As Eastmancolor, Agfacolor, Fujicolor and other film stocks became broadly available and affordable, national film industries increasingly converted to color, transforming the look and feel of global cinema. Covering a broad range of perspectives, the chapters explore themes such as transnational flows, knowledge exchange and transfer, the cyclical and asymmetrical circulation of technology in a global context, as well as the accompanying transformation of color film aesthetics in the postwar decades. 606 $aColor cinematography$xHistory$y20th century 606 $aColor motion pictures$xHistory$y20th century 606 $aPERFORMING ARTS / General$2bisacsh 615 0$aColor cinematography$xHistory 615 0$aColor motion pictures$xHistory 615 7$aPERFORMING ARTS / General. 676 $a777 700 $aStreet$b Sarah$0800826 701 $aYumibe$b Joshua$01827328 701 $aSoloman$b Stefan$01827329 701 $aMillard$b Kathryn$01624427 701 $aMazumdar$b Ranjani$01827330 701 $aCavendish$b Philip$01681646 701 $aSinclair Dootson$b Kirsty$01827331 701 $aSanyal$b Kamalika$01827332 701 $aHeckman$b Heather$01827333 701 $aMajor$b Laura$01827334 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911009162503321 996 $aGlobal Film Color$94395495 997 $aUNINA