LEADER 03680nam 22004453 450 001 9910985674903321 005 20231110225034.0 010 $a9789004106901$b(electronic bk.) 035 $a(MiAaPQ)EBC30308637 035 $a(Au-PeEL)EBL30308637 035 $a(CKB)25934645500041 035 $a(OCoLC)1357016329 035 $a(EXLCZ)9925934645500041 100 $a20230105d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFaking It! $eThe Performance of Forgery in Late Medieval and Early Modern Culture /$fEdited by Philip Lavender, Matilda Amundsen Bergström 205 $a1st ed. 210 1$aBoston :$cBRILL,$d2022. 210 4$d©2023. 215 $a1 online resource (378 pages) 225 1 $aIntersections 311 08$aPrint version: Lavender, Philip Faking It! Boston : BRILL,c2022 327 $aIntro -- Contents -- Acknowledgements -- Figures -- Notes on the Editors -- Notes on the Contributors -- 1 Introduction: The Performance of Forgery -- 2 Forgery, Audience and Authentication: Icelandic Agreements of the Fifteenth Century -- 3 All That Glitters Is Not Gold: False Jewellery and Its Juridical Regulation in Italy between the Late Middle Ages and the Early Modern Period -- 4 Re-Forging a Forgery: The French Editions of Annius of Viterbo's Antiquitates -- 5 Prenatal Prophecies and Linguistic Ciphers: A Russian Political Forgery Devoted to the Autocratic Evil of Ivan the Terrible -- 6 Girolamo Baruffaldi as a Forger: The Case of Barbara Torelli -- 7 The Deceptive Power of a Monogram: Appropriating Dürer's Identity in the Sixteenth and Early Seventeenth Centuries -- 8 Mind Your U's and V's!: Counterfeiting Newspapers in Civil War Britain -- 9 The Theatre of Forgery: Curzio Inghirami (Volterra, 1614-1655) and Giorgio Grognet de Vassé (Malta, 1774-1862) -- 10 Sailing and Sinking on the Sea of Forgery:The Tradition of Fake Sagas in Seventeenth- and Eighteenth-Century Sweden and Denmark -- 11 Of Theatrical Illusion and Fake Advertisements: George Bickham the Younger, Samuel Foote and the Great Bottle Hoax of 1749 -- 12 Counterfeiting Coins and Convict Transportation from England to Australia in the Eighteenth Century -- Index Nominum. 330 $a"Faking It! collects eleven chapters which explore the question of forgery from different disciplinary angles: literary historical and art historical contributions share space with discussions of jewels, architecture and coinage. The various case studies take as their focus developments in Renaissance Italy and Early Modern England as well as in France, Germany, Malta, Denmark, Sweden, Iceland, Russia and Australia. While each chapter contributes to a better understanding of the local context of cultural production, together they suggest new answers to how we can understand forgery. The concept of performance allows us to see beyond normative approaches and gain insight into some of the ambiguities concerning the nature of forgery. Contributors include: Brian Boeck, Federica Boldrini, Patricia Pires Boulhosa, Laurent Curelly, Helen Hughes, Jacqueline Hylkema, Philip Lavender, Lorenzo Paoli, Ingrid D. Rowland, Camilla Russo, and Ksenija Tschetschik-Hammerl"--$cProvided by publisher. 410 0$aIntersections 606 $aForgery$xHistory 615 0$aForgery$xHistory. 676 $a364.163509 700 $aLavender$b Philip$01792887 701 $aAmundsen Bergström$b Matilda$01792888 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910985674903321 996 $aFaking It$94332047 997 $aUNINA LEADER 01023nas 2200373 c 450 001 9910890853603321 005 20251012103806.0 035 $a(DE-599)ZDB3067518-2 035 $a(OCoLC)1256383473 035 $a(DE-101)1235255743 035 $a(CKB)1000000000018571 035 $a(EXLCZ)991000000000018571 100 $a20210611a20049999 |y | 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aWSEAS transactions on acoustics and music 210 31$a[Athens]$cWSEAS$d[2004]- 215 $aOnline-Ressource 300 $aRefereed/Peer-reviewed 311 08$a1109-9577 608 $aZeitschrift$2gnd-content 676 $a530 676 $a780 712 02$aWorld Scientific and Engineering Academy and Society$4isb 801 0$b0355 801 1$bDE-101 801 2$b9999 906 $aJOURNAL 912 $a9910890853603321 996 $aWSEAS transactions on acoustics and music$94440203 997 $aUNINA