LEADER 04125nam 22005173 450 001 9910890195103321 005 20250414123448.0 010 $a1-04-077529-2 010 $a90-485-5662-7 035 $a(CKB)36297073000041 035 $a(MiAaPQ)EBC31727381 035 $a(Au-PeEL)EBL31727381 035 $a(OCoLC)1463772329 035 $a(NjHacI)9936297073000041 035 $a(EXLCZ)9936297073000041 100 $a20241018d2024 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNon-Fiction Cinema in Postwar Europe $eVisual Culture and the Reconstruction of Public Space 205 $a1st ed. 210 1$aAmsterdam :$cAmsterdam University Press,$d2024. 210 4$dİ2024. 215 $a1 online resource (518 pages) 225 1 $aFilm Culture in Transition Series 311 08$a94-6372-558-X 327 $aCover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- Acknowledgments -- Preface: (Re)Building Europe Through Cinema (Studies) -- Frames of Reconstruction: An Introduction -- Section 1: Locating Non-Fiction Film -- 1: Itinerari Italiani: A Visual Information Campaign to Reclaim Italian Regionalisms and Remap US-Italian Economic Interdependence Under the Marshall Plan -- 2: Documentary Filmmaking in Postwar Germany, 1945-55: An Essay on the History of Production, Distribution, and Technology -- 3: Finding the Best Time for Shorts: Non-Fiction Film, Non-Stop Cinemas, and the Temporalities of Everyday Life of Post-WWII Audiences -- 4: Coproducing Postwar Socialist (Re)Construction: Transnational Documentaries in Eastern Europe -- 5: From Enemy Images to Friend Images After WWII, or How France Learned to Stop Worrying and Love Germany -- Section 2: Reconstructing Realities -- 6: "Room to Move and Space to Play": Architecture and the Marshall Plan's Cinematic Reconfiguration of Space -- 7: Screening Dortmund in Ruins: The Role of Elisabeth Wilms's Postwar Film Footage in City Politics and Local Remembrance Culture -- 8: From Rubble to Ruins: War Destruction, Postwar Reconstruction, and Tamed Modernization -- 9: Screening (At) The Workplace: Postwar Non-Fiction Cinema and the Gendered and Political Spaces of Labor -- 10: Choreographies of Public Space: Non-Fiction Film and Performances of Citizenship in Postwar Europe -- Section 3: Spaces of Cultural Trauma -- 11: Ruins, Iconic Sites, and Cultural Heritage in Italy and Poland in the Aftermath of World War II -- 12: Moving Accountability: Trials, Transitional Justice, and Documentary Cinema -- 13: (De)Constructing the Architect: Modern Architecture Between Praise and Criticism in Postwar Non-Fiction Cinema. 327 $a14: Restructuring (Post)Colonial Relationships: European Empires Between Decolonization, Trusteeships, and a New Projection in Africa -- Section 4: Creating New Paths -- 15: Virtual Topographies of Memory: Liberation Films as Mobile Models of Atrocity Sites -- 16: Curating Reconstruction in the Digital Realm: The Online Exhibition Frames of Reconstruction -- 17: Teaching (With) Postwar Cinema: Fostering Media Education and Transnational Historical Thinking Through Non-Fiction Film Heritage -- List of Acronyms -- Bibliography -- Index. 330 $aAfter WWII, cinema was everywhere: in movie theatres, public squares, factories, schools, trial courts, trains, museums, and political meetings.Seen today, documentaries and newsreels, as well as the amateur production, show the kaleidoscopic portrait of a changing Europe. 410 0$aFilm culture in transition 606 $aDocumentary films 615 0$aDocumentary films. 676 $a070.1809409044 700 $aC?esa?lkova?$b Lucie$f1983-$01781234 701 $aPraetorius-Rhein$b Johannes$01781235 701 $aVal$b Perrine$01457095 701 $aVilla$b Paolo$038595 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910890195103321 996 $aNon-Fiction Cinema in Postwar Europe$94306007 997 $aUNINA