LEADER 01891nam  2200385z- 450 
001 9910887983903321
005 20250905110035.0
010   $a9783631709252
010   $a3631709250
035   $a(CKB)4100000008516444
035   $a(MiAaPQ)EBC5798989
035   $a(VLeBooks)9783631709252
035   $a(ODN)ODN0004860598
035   $a(EXLCZ)994100000008516444
100   $a20190707c2018uuuu  -u-         -
101 0 $aeng
135   $aur|||||||||||
200   $aMusicality of a Literary Work
205   $a1st edition
210   $cPeter Lang GmbH, Internationaler Verlag der Wissenschaften
215   $a1 online resource (1 p.)
311 08$a9783631709269 
311 08$a3631709269 
311 08$a9783631655696 
311 08$a363165569X 
330   $aThis book represents an attempt to capture different links between modern literature and music. The author examines strict intertextual correlations, the phenomena of musicality and musicality of literary works, the musical structure in literature, so-called musical literary texts. He focuses on the novel Le Coeur absolu by Philippe Sollers, the poem Todesfuge by Paul Celan, the Preludio e Fughe by Umberto Saba and the drama Judasz z Kariothu [Judas Iscariot] by Karol Hubert Rostworowski. The analysis also includes Stanislaw Baranczak's cycle of poems Podróz zimowa: Wiersze do muzyki Franza Schuberta [Winter Journey: Poems to the Music of Franz Schubert] and a fragment of Scène from Hérodiade by Stéphane Mallarmé in Paul Hindemith's composition (S0(BHérodiade(S1(B de Stéphane Mallarmé.
606   $aMusic and literature
615  0$aMusic and literature.
676   $a780/.08
701   $aLindsay Davidson$b Davidson$01769842
701   $aAndrzej Hejmej$b Hejmej$01769843
906   $aBOOK
912   $a9910887983903321
996   $aMusicality of a Literary Work$94243105
997   $aUNINA