LEADER 02308nam 2200349 n 450 001 9910887951203321 005 20230516164806.0 035 $a(CKB)5590000000537515 035 $a(NjHacI)995590000000537515 035 $a(EXLCZ)995590000000537515 100 $a20230516d2020 uu 0 101 0 $adan 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHarpe og sverd $eLitteraturhistoriske essay om den norske balladen /$fOlav Solberg 210 1$aOslo :$cCappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing),$d2020. 215 $a1 online resource (347 pages) 311 $a82-02-70592-4 330 $a" This is a collection of essays about the Norwegian ballade, but it also includes ballads from the other Nordic countries. Many perceive the Norwegian ballad as something very close to what is considered the Norwegian soul, however the genre of the ballad dates back to the 1100 century in Europe. In the first essay the author will shed light on the duality of the origin of the ballad. In the second essay, the author writes about the Norwegian ballade, where they arose, how they lived on and looks into what kind of tradition they represent. Trolls and ballads are topics of the third essay, and in the fourth essay the author takes a closer look at two Danish song- and ballad books, namely Hundreviserboka by Anders Sørensen Vedel and the sequel, Tohundreviserboka, by Peder Syvs. The fifth essay is about ballads and identity. A central question being asked here, is how both poets and tradition help establish the identity of the actors in the ballade. Furthermore, sixth essay focuses on mythical nature in ballads. The so-called jester ballads (Skjemteballadar), have long been invalidated by researchers. In the seventh essay, however, the author presents these ballades in relation to theories of comedy and laughter. Finally, the eighth essay the author presents some central European ballads." 517 $aHarpe og sverd 606 $aBallads 615 0$aBallads. 676 $a398.27 700 $aSolberg$b Olav$01770475 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910887951203321 996 $aHarpe og sverd$94252095 997 $aUNINA