LEADER 02192nam 2200313z- 450 001 9910887916503321 005 20230221125232.0 035 $a(CKB)5860000000047082 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/83172 035 $a(EXLCZ)995860000000047082 100 $a20202206d2012 |y 0 101 0 $aita 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aLa rappresentazione del paesaggio toscano nel Trecento 210 $aFirenze$cFirenze University Press$d2012 215 $a1 electronic resource (302 p.) 225 1 $aPremio Ricerca «Cittą di Firenze» 311 $a88-927-3568-3 330 $aThe book aims to identify the prevalent characteristics of the Tuscan landscape in the fourteenth century through the artistic and literary expressions of two of the main protagonists of the century, Giotto and Boccaccio. Emerging from a critical reading of the Decameron by Boccaccio and the paintings by Giotto is the relationship between fourteenth-century man and nature: having overcome the fear of existence, man is aware of the territory/landscape and his capacity of control over nature. This emerges in the relationship between the city and the landscape outside the walls, in the two artists' careful observation of nature, in the sense of belonging to places, in the role of open spaces, in the conditions of well-being of the environment, in the sense of protection and security; and it is also highlighted in the characteristics of the landscape, such as the sense of proximity, distance, time and aesthetics, in relation above all to gardens and the countryside. From the studies performed there emerges a curiosity that was not yet capable of expressing itself in autonomous forms, but was already appreciable in the innovative techniques heralding the next century. 606 $aLandscape art & architecture$2bicssc 615 7$aLandscape art & architecture 700 $aPiras$b Antonella$4auth$01262083 906 $aBOOK 912 $a9910887916503321 996 $aLa rappresentazione del paesaggio toscano nel Trecento$92948490 997 $aUNINA