LEADER 01930nam  2200337z- 450 
001 9910887916203321
005 20230221125246.0
035   $a(CKB)5860000000047092
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/83612
035   $a(EXLCZ)995860000000047092
100   $a20202206d2012      |y         0
101 0 $aita
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aTra sperimentalismo scapigliato ed espressivismo primonovecentesco poemetto in prosa, prosa lirica e frammento
210   $aFirenze$cFirenze University Press$d2012
215   $a1 electronic resource (562 p.)
225 1 $aPremio Ricerca «Città di Firenze»
311   $a88-927-3578-0 
330   $aThe book sets out to reconstruct why and how poetry and prose came to meet and mix in Italy between the second half of the nineteenth century and the beginning of the twentieth century; contrary to what has taken place in France for the petit poème en prose, there has been no overall mapping of the Italian sphere to give refreshed sense to single phenomena. The author begins to fill this gap by looking at three areas of research: the Scapigliatura movement, the experimentations of the last two decades of the nineteenth century (from Ragusa Moleti to Pica, Deledda to Capuana), and «La Voce» 1908-1913. Two works are constantly used as inevitable points of reference: Operette morali by Leopardi and Petits poèmes en prose by Baudelaire.
606   $aLiterature & literary studies$2bicssc
606   $aLiterature: history & criticism$2bicssc
615  7$aLiterature & literary studies
615  7$aLiterature: history & criticism
700   $aNutini$b Carolina$4auth$0873271
906   $aBOOK
912   $a9910887916203321
996   $aTra sperimentalismo scapigliato ed espressivismo primonovecentesco$91949487
997   $aUNINA