LEADER 02189nam 2200385z- 450 001 9910887915803321 005 20230221125229.0 035 $a(CKB)5860000000047098 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/83046 035 $a(EXLCZ)995860000000047098 100 $a20202206d2012 |y 0 101 0 $aita 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIl "trompe-l'?il" letterario, ovvero il sorriso ironico nell'opera di Wilhelm Hauff 210 $aFirenze$cFirenze University Press$d2012 215 $a1 electronic resource (278 p.) 225 1 $aPremio Tesi di Dottorato 311 $a88-927-3559-4 330 $aLiterary trompe-l'oeil intends to emancipate the enigmatic and distinctive figure of Hauff from his long and unjust marginalization resulting from a now outdated current of criticism, to offer a new interpretation of his Märchen for a general rereading of this modern literary caricaturist's works. On approaching his texts, one cannot but notice how they are imbued with continual and insistent, bewitching, caustic and alienating allusions, just like the Mona Lisa's smile. With a constant critical scepticism and a subtle illusionist skill, this demythologized 'budding Satan' looks at the present situation through the 'diabolic lenses' of irony, making his works a sort of literary Befreiungskrieg, in which he lays claim to a heterotopic space of free fantastic-humorist expression, along the undulating route leading from Sterne to Heine via Jean Paul. 606 $alinguistics$2bicssc 606 $aTranslation & interpretation$2bicssc 606 $aLiterature & literary studies$2bicssc 606 $aLiterature: history & criticism$2bicssc 615 7$alinguistics 615 7$aTranslation & interpretation 615 7$aLiterature & literary studies 615 7$aLiterature: history & criticism 700 $aAcciaioli$b Stefania$4auth$0847164 906 $aBOOK 912 $a9910887915803321 996 $aIl "trompe-l'?il" letterario, ovvero il sorriso ironico nell'opera di Wilhelm Hauff$94271578 997 $aUNINA