LEADER 03337nam 2200457z- 450 001 9910887907703321 005 20250121110032.0 010 $a88-5518-939-5 035 $a(CKB)5410000000308399 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/83203 035 $a(BIP)051669023 035 $a(MiAaPQ)EBC31861111 035 $a(EXLCZ)995410000000308399 100 $a20202206d2015 |y 0 101 0 $aita 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNon finito. Opera interrotta e modernità 210 $aFlorence$cFirenze University Press$d2015 215 $a1 electronic resource (664 p.) 225 1 $aModerna/Comparata 311 08$a88-6655-728-5 311 08$a88-6655-730-7 330 $aUnfinished work or interrupted work? It is difficult to find a definition, to identify the theme, to distinguish chance from intentionality. Few 'genres' and / or variations express as the 'unfinished' the same need for what is external to the work and which somehow completes it, bringing the work in a privileged position to create a harmony with our restless modernity. No wonder that in literature, in addition to what has been brutally interrupted, the letters, the diaries, the chronicles of disease and suffering are naturally suspended works. No wonder either that incompleteness accompanies the writings referring to unsolved issues, hidden traumas, silent melancholy. Dictated by choice or by distinct degrees of incapacity, the temptation of the unfinished pursues, urges, deludes its author... The private writings, the sketches, the projects, the papers testify the path necessary for the work to develop and conquer its shape. This book is rich and suggestive and has been conceived and edited by Anna Dolfi. Like its very object, the work is drafted in the perspective of the unfinished and questions some of the many possible examples, along a diachronic arc that goes to literature at figurative arts, theatre, cinema: from Leonardo to Blake, from Ariosto to Stendhal, from Dossi to Gadda, from Kafka to Borges, from Sarraute to Morante, from unknown writers affected by 'cancroregina' to the last Pirandello staged by Tiezzi, up to Fellini of the impossible Mastorna ... At the centre of the volume the readers will find a section with the typescript pages and the unpublished notebooks of / for the work La scelta by Giuseppe Dessí. They lead to the limits of white space, where the chambre claire fixes what is hidden beyond the writing with few, rarefied signs. 606 $aHistory of art & design styles: c 1800 to c 1900$2bicssc 606 $aHistory of art & design styles: from c 1900 -$2bicssc 606 $aLiterature: history & criticism$2bicssc 606 $aHistory: earliest times to present day$2bicssc 610 $aLiterature 615 7$aHistory of art & design styles: c 1800 to c 1900 615 7$aHistory of art & design styles: from c 1900 - 615 7$aLiterature: history & criticism 615 7$aHistory: earliest times to present day 700 $aDolfi$b Anna$4edt$0158046 702 $aCazale?-Be?rard$b Claude 906 $aBOOK 912 $a9910887907703321 996 $aNon finito. Opera interrotta e modernità$94255374 997 $aUNINA