LEADER 01458nam2 2200385 i 450 001 VAN00018795 005 20250218101154.777 010 $a88-04-35342-2 100 $a20040702d1991 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 181 $ai$b e 182 $an 200 1 $aˆ4: ‰Freud e la psicoanalisi$fCarl Gustav Jung 210 $aTorino$cBoringhieri$d1973 215 $a397 p.$d25 cm 300 $aTrad. di Lucia Personeni, Silvano Daniele 461 1$1001VAN00018780$12001 $aOpere$fCarl Gustav Jung$1210 $aTorino$cBollati Boringhieri$1215 $avolumi$d22 cm$v4 620 $dTorino$3VANL000001 676 $a150.19$v21 700 1$aJung$bCarl G.$3VANV014849$0730920 702 1$aDaniele$bSilvano$3VANV052730 702 1$aPersoneni$bLucia$3VANV014853 712 $aBoringhieri $3VANV108699$4650 790 1$aJung, Karl Gustav$zJung, Carl G.$3VANV014850 790 1$aJung, Carl Gustav$zJung, Carl G.$3VANV062470 790 1$aJung, C.G.$zJung, Carl G.$3VANV062471 790 1$aJung, C. G.$zJung, Carl G.$3VANV062472 801 $aIT$bSOL$c20250221$gRICA 899 $aBIBLIOTECA DEL DIPARTIMENTO DI PSICOLOGIA$1IT-CE0119$2VAN16 912 $aVAN00018795 950 $aBIBLIOTECA DEL DIPARTIMENTO DI PSICOLOGIA$d16CONS 640 $e16VS 2147 20040702 996 $aFreud e la psicoanalisi$91401606 997 $aUNICAMPANIA LEADER 04625nam 22006735 450 001 9910887892503321 005 20250807132502.0 010 $a9783031611919 010 $a3031611918 024 7 $a10.1007/978-3-031-61191-9 035 $a(MiAaPQ)EBC31680679 035 $a(Au-PeEL)EBL31680679 035 $a(CKB)35895620500041 035 $a(MiAaPQ)EBC31854761 035 $a(Au-PeEL)EBL31854761 035 $a(DE-He213)978-3-031-61191-9 035 $a(EXLCZ)9935895620500041 100 $a20240916d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTheatre and Performance in Contemporary Scotland /$fby Trish Reid 205 $a1st ed. 2024. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (251 pages) 311 08$a9783031611902 311 08$a303161190X 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Scottish Theatre in the 1980s: Roots and Fruits -- Plays and Playwrights in the 1990s: Crossing Borders -- New Stages, New Companies -- The National Theatre of Scotland -- Plays and Stages since 1999: Voices for a New Scotland -- Performance, Identity and Community -- Conclusion: New Imperatives -- Bibliography -- Index. 330 $a?Theatre and Performance in Contemporary Scotland maps the impact of the many major dramatists and companies that have emerged from Scotland in recent decades, showing how they have forged and developed a distinctive cultural and theatrical identity. The book is, simply, inspirational: it allows readers to think anew about how theatre can intersect with the political ? and how great art can affect a whole society.? Patrick Lonergan, Professor, University of Galway, Ireland This is the book I have been waiting for. It offers a rigorously insightful encounter with a rich range of Scottish theatre and performance practices in the post-devolutionary context. Thinking through the relationships of cultural production and cultural identity extends its relevance well beyond one nation, though I admit a particular pleasure in sharing it with my peers ? students and colleagues alike ? across Scotland. Deirdre Heddon, Professor, James Arnott Chair in Drama, University of Glasgow, UK This textbook offers a detailed and expansive account of theatre and performance in contemporary Scotland. It considers the underlying historical and cultural developments that have enabled the recent renaissance in Scottish theatre and the emergence of playwrights of international standing, such as David Greig, Zinnie Harris, David Harrower and Rona Munro as well as companies of significant international note. Some prominence is given to the National Theatre of Scotland, which was established in 2004 in the aftermath of Scottish devolution, and which has become a key organization in the creating and dissemination ? nationally and internationally ? of Scottish theatre and performance. The book aims to capture the diversity and eclecticism of Scotland?s contemporary performance culture by examining work across a spectrum from children?s theatre, community theatre, mainstream theatre for adult audiences and live and performance art. Trish Reid is Professor of Theatre and Performance and Head of the School of Arts and Communication Design at the University of Reading, UK. She has published widely on contemporary British theatre and is the author of Theatre & Scotland (2013) and The Theatre of Anthony Neilson (2017). She is from Glasgow. 606 $aTheater$xHistory 606 $aTheater 606 $aPlaywriting 606 $aDramatists 606 $aCultural industries 606 $aContemporary Theatre and Performance 606 $aNational and Regional Theatre and Performance 606 $aPlaywrights and Playwriting 606 $aTheatre Industry 615 0$aTheater$xHistory. 615 0$aTheater. 615 0$aPlaywriting. 615 0$aDramatists. 615 0$aCultural industries. 615 14$aContemporary Theatre and Performance. 615 24$aNational and Regional Theatre and Performance. 615 24$aPlaywrights and Playwriting. 615 24$aTheatre Industry. 676 $a792.09411 700 $aReid$b Trish$f1962-$01791383 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910887892503321 996 $aTheatre and Performance in Contemporary Scotland$94328745 997 $aUNINA