LEADER 02508nas 2200457 n 450 001 990009036510403321 005 20240229084536.0 011 $a0033-6831 035 $a000903651 035 $aFED01000903651 035 $a(Aleph)000903651FED01 035 $a000903651 091 $2CNR$aP 00006543 100 $a20161109b19361986km-y0itaa50------ba 101 0 $aeng 102 $aUS 110 $aauu-------- 200 1 $aRCA review$ea technical journal on radio and electronics research engineering 207 1$a1936-1986 210 $aPrinceton$cRadio Corporation of America. 530 0 $aRCA review 675 $a621.39 675 $a621.396 712 02$aRadio corporation of America 801 0$aIT$bACNP$c20090723 859 4 $uhttp://acnp.cib.unibo.it/cgi-ser/start/it/cnr/dc-p1.tcl?catno=3142&person=false&language=ITALIANO&libr=&libr_th=unina1$zBiblioteche che possiedono il periodico 901 $aSE 912 $a990009036510403321 958 $aBiblioteca "Roberto Stroffolini" - Dipartimento di Scienze Fisiche dell'Universitą Federico II$b1958;$fFI1 958 $aBiblioteca Centrale "F. Gasparini". Facoltą di Ingegneria. Universitą degli Studi di Napoli "Federico II"$b1965-1967;$edVIIIc4$fFINBC FINAG 958 $aBiblioteca Interdipartimentale di Ingegneria Elettrica, Elettronica e delle Telecomunicazioni, Informatica e Sistemistica. Universitą degli studi di Napoli "Federico II"$b1965-1986.$c1970;1974;$eC6$fDINEL 959 $aFI1 959 $aFINBC 959 $aFINAG 959 $aDINEL 996 $aRCA review$9788102 997 $aUNINA AP1 8 $6866-01$aNA079 Biblioteca "Roberto Stroffolini" - Dipartimento di Scienze Fisiche dell'Universitą Federico II$eVia Cintia-Monte S. Angelo, 80126 Napoli (NA)$m081.676253;676756;676443$m081.676434$nit AP1 8 $6866-02$aNA104 Biblioteca Centrale "F. Gasparini". Facoltą di Ingegneria. Universitą degli Studi di Napoli "Federico II"$bdVIIIc4$ep.le Tecchio,80, 80125 Napoli (NA)$m0817682190;0817682195$m0817682188$nit AP1 8 $6866-03$aNA106 Biblioteca Interdipartimentale di Ingegneria Elettrica, Elettronica e delle Telecomunicazioni, Informatica e Sistemistica. Universitą degli studi di Napoli "Federico II"$bC6$eVia Claudio,21, 80125 Napoli (NA)$m081/7683242-3533$m0817683242$nit AP2 40$aacnp.cib.unibo.it$nACNP Italian Union Catalogue of Serials$uhttp://acnp.cib.unibo.it/cgi-ser/start/it/cnr/df-p.tcl?catno=3142&language=ITALIANO&libr=&person=&B=1&libr_th=unina&proposto=NO LEADER 08270nam 22006855 450 001 9910887884403321 005 20250807143606.0 010 $a9789819704293 010 $a9819704294 024 7 $a10.1007/978-981-97-0429-3 035 $a(MiAaPQ)EBC31674255 035 $a(Au-PeEL)EBL31674255 035 $a(CKB)35309377100041 035 $a(DE-He213)978-981-97-0429-3 035 $a(EXLCZ)9935309377100041 100 $a20240913d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Palgrave Handbook of Music and Sound in Japanese Animation /$fedited by Marco Pellitteri 205 $a1st ed. 2024. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (1107 pages) $cillustrations (some color) 225 1 $aPalgrave Studies in Sound,$x2633-5883 300 $aIncludes index. 311 08$a9789819704286 311 08$a9819704286 320 $aIncludes bibliographical references and index. 327 $aAbout this book -- Praises for The Palgrave Handbook of Music and Sound in Japanese animation -- Acknowledgements -- Editorial Note -- List of Contributors -- List of Images and Tables -- Foreword. Birth and structure of the Handbook -- Introduction. Tool kits / 0: Presenting Japanese animation and a summary of selected sources on music and animation -- Part I. Early history, theoretical framing, and practice of music and sound in Japanese animation -- Chapter 1. Tool kits / 1: Hearing moods, emotions, pictures. A basic overview on the rhetoric of music -- Chapter 2. Tool kits / 2: Key concepts of music language in anime -- Chapter 3. Tool kits / 3: A short outlook of anison from 1963 to the 21st century -- Chapter 4. Tool kits / 4: Mapping anime?s voice acting industry -- Chapter 5. Early history / 1: Introducing European music to Meiji Japan -- Chapter 6. Early history / 2: The early period of music in Japanese animation. From the 1930s to the advent of T?ei D?ga (1956) -- Chapter 7. Early history / 3: Shiftingpractice, industry, and ideology in the first decade of TV anime songs (1962-72). From Torir? Miki to Michiaki Watanabe -- PART II. Music and sound for animation in Japan from the 1970s to the 2010s -- Chapter 8. Scoring Japan?s pasts and futures / 1: Legends, folklore, monsters, and his-torical drama -- Chapter 9. Scoring Japan?s pasts and futures / 2: Drama, trauma, and sonic eclecticism in mainstream music scores for giant armour-themed and SF animated se-ries of the 1970s -- Chapter 10. Scoring Japan?s pasts and futures / 3: The soundtrack of Shunsuke Kikuchi for UFO Robo Grendizer. Composition and selection criteria -- Chapter 11. Transcultural musical encounters / 1: J? Hisaishi and Y?ji Nomi. Variation, citation, and emulation -- Chapter 12. Transcultural musical encounters / 2: A cultural history of Dvo?įk?s Largo from Meiji era to anime -- Chapter 13. Transcultural musical encounters / 3: K?ji Morimoto, Y?ko Kanno, and the Zagreb school of animation -- Chapter 14. Transcultural musical encounters / 4: The power of alternative music in Japanese animation. Can the beats and vibes of anime change the world? -- Chapter 15. Authorship in music and sound design / 1: Isao Takahata and his music di-rection -- Chapter 16. Authorship in music and sound design / 2: Gein? Yamashirogumi and Akira -- Chapter 17. Authorship in music and sound design / 3: The music and method of Kenji Kawai -- Chapter 18. Authorship in music and sound design / 4: K?ji Yamamura and Satoshi Kon -- Chapter 19. Authorship in music and sound design / 5: Tenmon and his musics for Ma-koto Shinkai?s films -- Chapter 20. Authorship in music and sound design / 6: Four outstanding cases in the anime industry, 1995-2016 -- Chapter 21. Extra-musical sonic environments / 1: Voice actresses performing boy characters. Historical, political, social, and cultural significance in postwar Japan -- Chapter 22. Extra-musical sonic environments / 2: Sonic embedment and spatial ?worlding?. Soundscapes, psychoacoustics, and post-human sonics inShin-seiki Evangelion -- Part III. Musics, songs, and voices for Japanese animation beyond Japan -- Chapter 23. Re-written songs, musics, and dubbing for anime / 1: United States -- Chapter 24. Re-written songs, musics, and dubbing for anime / 2: Italy -- Chapter 25. Re-written songs, musics, and dubbing for anime / 3: Philippines -- Chapter 26. Re-written songs, musics, and dubbing for anime / 4: Indonesia -- Chapter 27. Re-written songs, musics, and dubbing for anime / 5: Latin America -- Chapter 28. Re-written songs, musics, and dubbing for anime / 6: Four outstanding cases in Europe and the United States -- Chapter 29. Re-written songs, musics and dubbing for anime / 7: Finland -- Chapter 30. Re-written songs, musics, and dubbing for anime / 8: Cultural strategies of anime?s re-dubbing in Italy, France, Germany, and Spain -- Chapter 31. Anime?s impact on pop music in the two European leading markets / 1: France -- Chapter 32. Anime?s impact on pop music in the two European leading markets / 2: Italy -- Part IV. Interviews, supplemental essays, appendixes -- Chapter 33. Brief guide on sound design in the anime industry -- Chapter 34. Isao Tomita and his collaborations with Osamu Tezuka: Music?s versatility between crosscultural epigonism and ultimate mastery -- Chapter 35. Ambiguities of post-dubbing in the United States -- Chapter 36. Interview with Shunsuke Kikuchi -- Chapter 37. Interview with Michiaki Watanabe -- Chapter 38. Interview with Mitsuko Horie -- Chapter 39. Interview with Kentar? Anai -- Chapter 40. Conversations with four outstanding animators: what they have to say -- Chapter 41. Interview with Takuya Imahori -- Chapter 42. Interview with Kenji Kawai -- Chapter 43. Appendix 1: The main music score composers in the history of anime -- Chapter 44. Appendix 2: The main vocal performers in the history of anison -- Chapter 45. Appendix 3: Historic composers for animation in Japan, 1920s-1950s -- Afterword -- Glossary. Basic keywords of Japanese animation, music, and sound -- Filmography and videography -- Discography and dubs -- Editor and Contributors -- Index. 330 $aThis handbook fills a substantial gap in the international academic literature on animation at large, on music studies, and on the aural dimensions of Japanese animation more specifically. It offers a unique contribution at the intersection between music and popular culture studies on the one hand, and research on Japanese animated productions (often called ?anime?) as popular art forms and formats of entertainment, on the other. The book is designed as a reference work consisting of an organic sequence of theory-grounded essays on the development of music, sounds, and voices in Japanese animation for cinema and television since the 1930s. Each chapter deals with a phase of this history, focusing on composers and performers, films, series, and genres used in the soundtracks for animations made in Japan. The chapters also offer valuable interviews with prominent figures of music in Japanese animation, as well as chapter boxes clarifying specific aspects. 410 0$aPalgrave Studies in Sound,$x2633-5883 606 $aMass media 606 $aScience$xSocial aspects 606 $aAnimated films 606 $aCulture$xStudy and teaching 606 $aMedia Sociology 606 $aScience and Technology Studies 606 $aAnimation 606 $aSound Studies 606 $aCultural Studies 615 0$aMass media. 615 0$aScience$xSocial aspects. 615 0$aAnimated films. 615 0$aCulture$xStudy and teaching. 615 14$aMedia Sociology. 615 24$aScience and Technology Studies. 615 24$aAnimation. 615 24$aSound Studies. 615 24$aCultural Studies. 676 $a777.53 702 $aPellitteri$b Marco 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910887884403321 996 $aThe Palgrave handbook of music and sound in Japanese animation$94254606 997 $aUNINA