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181   $ctxt$2rdacontent
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200 10$aBollywood Film Traffic $eA History of Hindi Films? Circulation in Beirut, Cairo, and Dubai (1954?2014) /$fby Némésis Srour
205   $a1st ed. 2024.
210  1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2024.
215   $a1 online resource (178 pages)
225 1 $aPalgrave Studies in Arab Cinema,$x2731-4901
311 08$a9783031644900 
311 08$a3031644905 
327   $aChapter 1 ? Paving the way, Bollywood in Egyptian Cinema halls -- Chapter 2 ? Egypt made in Bollywood. Picturing the Arab world -- Chapter 3 ? The fabrics of Bollywood: Weaving Films into Trade routes -- Chapter 4 ? Bollywood Comes to Beirut. Shooting the Arab world -- Chapter 5 ? Choubra Palace?s Hero. Amitabh Bachchan and the Golden Age of Hindi Films -- Chapter 6 ? Falling Apart. End of Reign for Bollywood?.-Chapter 7 ? Conquering Dubai? Bollywood and the Mediatic Boom -- Chapter 8 ? When Bollywood builds Dubai Cinematic Imagery. Renewed visions of the Arabian Peninsula -- Chapter 9 - Conclusion.
330   $aThis book brings to light a lesser-explored facet of cultural globalization by unearthing Bollywood films circulations in the Middle East. Delving into the intricacies of South-South cinematic circuits, it unveils the networks linking the Bombay film industry with the Arab world. Through a blend of historical analysis and ethnographic insights, the book offers an exploration of how film circulations have evolved amidst geopolitical shifts and technological advancements. By reframing our perspective to view Arab cinema cultures through the lens of the Bombay film industry, it challenges prevailing Orientalist narratives, offering a nuanced and refreshing portrayal of the Arab-speaking region. Némésis Srour holds a PhD in Social Anthropology and Ethnology from the École des Hautes Études en Sciences Sociales (EHESS) in Paris. Her research specializes in the film industry, combining historical and ethnographic approaches. She has been honored with a prize from the Agence Universitaire de la Francophonie (AUF) regional office in the Middle East for her research on Bollywood film networks in the region. Alongside her academic work, she has curated Indian and South Asian films in French cinemas, contributing to bringing these cinematographies to light. Additionally, she has taught subjects such as Indian cinema history, international relations, and film exhibition and distribution.
410  0$aPalgrave Studies in Arab Cinema,$x2731-4901
606   $aMotion pictures$zAsia
606   $aEthnology$zMiddle East
606   $aCulture
606   $aAsian Film and TV
606   $aMiddle Eastern Culture
615  0$aMotion pictures
615  0$aEthnology
615  0$aCulture.
615 14$aAsian Film and TV.
615 24$aMiddle Eastern Culture.
676   $a791.430954
700   $aSrour$b Némésis$01312474
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910886997403321
996   $aBollywood Film Traffic$94236272
997   $aUNINA