LEADER 04559nam 22005175 450 001 9910879591003321 005 20250808085309.0 010 $a9783031570018 010 $a3031570014 024 7 $a10.1007/978-3-031-57001-8 035 $a(MiAaPQ)EBC31596394 035 $a(Au-PeEL)EBL31596394 035 $a(CKB)33830861400041 035 $a(DE-He213)978-3-031-57001-8 035 $a(EXLCZ)9933830861400041 100 $a20240810d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSwedish Children?s Cinema $eHistory, Ideology and Aesthetics /$fedited by Malena Janson 205 $a1st ed. 2024. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (310 pages) 311 08$a9783031570001 311 08$a3031570006 327 $aChapter 1-Introduction: On the history, ideology, and aesthetics of Swedish children?s cinema -- Part I: Histories Of a Nation -- Chapter 2. ?D?ya know where they?re from??: Migrants in Swedish children?s film -- Chapter 3. Beauties and beasts: On the child-nature relationship in Swedish children?s film. -Chapter 4. Like other kids, yet different: Sámi children in Swedish children?s film -- Chapter 5. Beyond subjugation and stereotype: The representation of girls in Comedy Queen -- Part II: Ideologies of Childhoods -- Chapter 6. The prankster, the funster, and the overhelper: The comedy of mischief in the Swedish folkhem -- Chapter 7. Foolish fathers in Swedish family film: Involved fatherhood and middle-class masculinity as spectacle -- Chapter 8. A relationship revolution: Child-centred parenthood in contemporary children?s cinema -- Chapter 9. ?The movie ended quite well, but not that well, and I liked that because that?s how it is in reality?: Reception of and debates on Suzanne Osten?s films for children -- Chapter 10. We?ll never be those kids again: Queer perspectives on children?s cinema -- Part III: Aesthetics And Methods of Children?s Cinema -- Chapter 11. Audiovisual empathy: Adopting a child?s perspective in children?s cinema -- Chapter 12. Astrid Lindgren?s early filmmaking: Transmediations across radio, books, and moving images -- Chapter 13. Per A?hlin: The master of Swedish animation -- Chapter 14. Freedom captured: Film adaptations of Maria Gripe?s children?s books -- Chapter 15. ?We just don?t know!?: A metamodal method for learning through film. 330 $aSwedish children?s cinema has a long and rich history. It encompasses the rascal films of the 1920s, the realism of the 1940s, the ambitious artistic renewal of the 1970s, the child empowering films of the 1990s through the early 2000s, and the multiple, exceedingly popular, Astrid Lindgren adaptations across the decades. Devoted to exploring this cinematographic legacy, this book offers close readings across academic disciplines, probing various genres, eras, media debates, transmediations, and audience-receptions. Childhood studies, with its critical comprehension of society?s changing notions of childhood, here serves as a key framework in fruitful combination with, inter alia, feminist, queer, intermedial, postcolonial, and eco-critical perspectives. This collection fills an important knowledge gap on Swedish film history as well as the distinctly Nordic tradition of children?s culture, and thereby contributes to the burgeoning field of international children?s cinema research. It is introduced with a foreword by Mark Cousins. Malena Janson is a senior lecturer in child culture at Stockholm University. Her research comprises the ideology and aesthetics of children?s cinema, representations of children in audiovisual media, and film education. She has also published extensively on the subjects of film and child culture in national Swedish newspapers and journals. . 606 $aMotion picture plays, European 606 $aYouth$xSocial life and customs 606 $aEuropean Film and TV 606 $aYouth Culture 615 0$aMotion picture plays, European. 615 0$aYouth$xSocial life and customs. 615 14$aEuropean Film and TV. 615 24$aYouth Culture. 676 $a791.4094 700 $aJanson$b Malena$01765233 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910879591003321 996 $aSwedish Children's Cinema$94206656 997 $aUNINA