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024 7 $a10.1007/978-981-97-2736-0
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035   $a(CKB)33587116900041
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035   $a(DE-He213)978-981-97-2736-0
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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aBeing Present: Mobile Cinema in Kham Tibetan Areas /$fby Jianbin Guo, Jingjing Chen
205   $a1st ed. 2024.
210  1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Macmillan,$d2024.
215   $a1 online resource (413 pages)
225 1 $aPluralism, Culture and Communication in Contemporary China
311 08$a9789819727353 
311 08$a9819727359 
327   $a1. 'Being Present' as an Analytical Concept -- 2. Fieldwork area and research methodology -- 3. The 'Presence' of the State and Its Reflection -- 4. The Historical Evolution of Mobile Cinema in the 'Great Trian' Region -- 5. The Film The Serf and its 'Identity Conferment' -- 6. 'The Visual Performance' of the State -- 7. 'Transition' and its Implications -- 8. Touring with Mobile Film Screening Van -- 9. An 'old projectionist' and his successors -- 10. The story of an Individual Projectionist -- 11. From 'Actor' to 'Film herdsman' -- 12. 'Viewers Being Present' and Its Theoretical Implications -- 13. An Investigation of the Film Viewing Practice Among Primary School Students in a Central Primary School -- 14. A study on the Viewing of the Movies The Serf and The Silent Holy Stones -- 15. Watching Movies as a Social Activity -- 16. Film Viewers as 'Interpretive Communities' -- 16. Conclusion: 'Being Present' and Mobile Cinema in Contemporary China.
330   $aThis book presents the restoration of rural mobile cinema network in the Great Triangle region at the conjunction of Yunnan, Sichuan, and Tibet in China in the new century, which has added a new chapter to the long-standing complex relationship between cinema and social change. Based on five years of multi-sited fieldwork, abundant interviews and oral history narratives, this work shows the entanglement of the State, the projectionists and local film viewers in the historical and social context in a holistic analytic framework. By using the key concept of ?being present? to examine the tangling relations between the actors in mobile cinema as social practice, the work argues that mobile cinema and contemporary Chinese society are mutually constructed in both textual and practical level. Guo Jianbin is a professor at School of Journalism and Communication at Guangzhou Universality, China. As a pioneer and leading scholar in media anthropology in China, he is well-known for his ethnographic studies on communication and social change in Dulong and Tibetan areas. Chen Jingjing is an associated professor at School of Journalism, Yunnan University, Kunming, China. .
410  0$aPluralism, Culture and Communication in Contemporary China
606   $aEthnology
606   $aMass media
606   $aCommunication
606   $aInformation theory
606   $aSociocultural Anthropology
606   $aEthnography
606   $aMedia Sociology
606   $aMedia and Communication Theory
615  0$aEthnology.
615  0$aMass media.
615  0$aCommunication.
615  0$aInformation theory.
615 14$aSociocultural Anthropology.
615 24$aEthnography.
615 24$aMedia Sociology.
615 24$aMedia and Communication Theory.
676   $a305.8
700   $aGuo$b Jianbin$01764312
701   $aChen$b Jingjing$01764313
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910878983503321
996   $aBeing Present: Mobile Cinema in Kham Tibetan Areas$94252846
997   $aUNINA