LEADER 04715nam 22007095 450 001 9910878059803321 005 20250813233430.0 010 $a9783031636349$b(electronic bk.) 010 $z9783031636332 024 7 $a10.1007/978-3-031-63634-9 035 $a(MiAaPQ)EBC31572391 035 $a(Au-PeEL)EBL31572391 035 $a(CKB)33566331000041 035 $a(DE-He213)978-3-031-63634-9 035 $a(EXLCZ)9933566331000041 100 $a20240730d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aOn the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art $eFrom 1870 to 1914 and Beyond /$fedited by Filip Dorssemont 205 $a1st ed. 2024. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2024. 215 $a1 online resource (216 pages) 225 1 $aLaw and Visual Jurisprudence,$x2662-4540 ;$v15 311 08$aPrint version: Dorssemont, Filip On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art Cham : Springer International Publishing AG,c2024 9783031636332 327 $aIntroduction -- Some perspectives on the representation of industrial disputes under the shadow of repression in European Art (1870-1914) -- Early Stages of Collective Action and their Visual Representations: an Emotions Driven Approach to the Struggle for Better Working Conditions -- The Midinette guiding the People. An iconographic break of the Assiette au Beurre -- Labour and Art: The dualism of backwardness and timeliness in Hungary and in its Eastern neighbourhood -- From 1844 to 1944 - Workers and revolutions in Poland -- Conclusions. 330 $aThis book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realität und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law. Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico. The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carrà, Walter Crane, James Ensor, Juan Gris, Käthe Kollwitz, Constantin Meunier,Mihály Munkácsy, Théophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism. All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers. Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations. 410 0$aLaw and Visual Jurisprudence,$x2662-4540 ;$v15 606 $aLaw$xPhilosophy 606 $aLaw$xHistory 606 $aSemiotics 606 $aSocial legislation 606 $aEurope, Central$xHistory 606 $aLabor 606 $aHistory 606 $aTheories of Law, Philosophy of Law, Legal History 606 $aSemiotics 606 $aLabour Law/Social Law 606 $aHistory of Germany and Central Europe 606 $aLabor History 615 0$aLaw$xPhilosophy. 615 0$aLaw$xHistory. 615 0$aSemiotics. 615 0$aSocial legislation. 615 0$aEurope, Central$xHistory. 615 0$aLabor. 615 0$aHistory. 615 14$aTheories of Law, Philosophy of Law, Legal History. 615 24$aSemiotics. 615 24$aLabour Law/Social Law. 615 24$aHistory of Germany and Central Europe. 615 24$aLabor History. 676 $a340.1 700 $aDorssemont$b F$g(Filip)$01836988 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910878059803321 996 $aOn the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art$94415214 997 $aUNINA