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010   $a9789819724888$b(electronic bk.)
010   $z9789819724871
024 7 $a10.1007/978-981-97-2488-8
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035   $a(Au-PeEL)EBL31575197
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035   $a(DE-He213)978-981-97-2488-8
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101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aArchive as Detour $eHistorical Re-enactment in Artist Archive and Archival Art Practices of Contemporary Hong Kong /$fby Sau Wai Vennes Cheng
205   $a1st ed. 2024.
210  1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Macmillan,$d2024.
215   $a1 online resource (252 pages) $cillustrations (some color)
225 1 $aContemporary East Asian Visual Cultures, Societies and Politics,$x2662-771X
311 08$aPrint version: Vennes Cheng, Sau Wai Archive As Detour Singapore : Palgrave Macmillan,c2024 9789819724871 
320   $aIncludes bibliographical references and index.
327   $aChapter 1. Introduction -- Chapter 2. Art, Archive, and History(ies) -- Chapter 3. The Assemblage of Ha Bik Chuen - his art and his archive as art -- Chapter 4. Image Constellation - The encounter of Ha Bik Chuen?s Modified Books & Aby Warburg? Mnemosyne Atlas -- Chapter 5. Counter-memorial strategy - The disabled histories in the archival practices of Leung Chi Wo and Lee Kai Chung -- Chapter 6. Staging the archive - the curatorial as detour -- Chapter 7. Epilogue, the becoming histories.
330   $aThe book brings a new approach to see the art history of Hong Kong as a historical mediator and offers alternative perspective to discern the current hype of archive research and archival art practices, which informs the commitment in the constant production of socio-political meanings through arts. The book addresses the current social-political crises of Hong Kong by connecting art, memory, history, and political participation together through the site of archive and contextualises in both local and global perspectives, it also focuses on the artist archive, namely Ha Bik Chuen Archive, and archival art practices of contemporary Hong Kong, particularly in the social and political unrests, however, it ripples resonance and reflection not only in the local context but also to the region. The book is intended to the readers who are interested in both representational and interpretational nature of art and searching for alternatives means to perceive histories. Sau Wai Vennes Cheng, is a scholar, writer, and Associate Curator, Hong Kong Visual Culture, M+, Hong Kong Hong Kong based independent curator and scholar; she received a Ph.D. of History of Chinese Art from The Chinese University of Hong Kong and MA in Cultural Studies from Goldsmiths, University of London. Cheng?s research areas include modern and contemporary art of Hong Kong and China, artist archive, archival art practices, and historical and mnemonic contingency.
410  0$aContemporary East Asian Visual Cultures, Societies and Politics,$x2662-771X
606   $aArt$xHistory
606   $aEthnology
606   $aCulture
606   $aArts
606   $aAsia$xPolitics and government
606   $aArt History
606   $aRegional Cultural Studies
606   $aArts
606   $aAsian Politics
615  0$aArt$xHistory.
615  0$aEthnology.
615  0$aCulture.
615  0$aArts.
615  0$aAsia$xPolitics and government.
615 14$aArt History.
615 24$aRegional Cultural Studies.
615 24$aArts.
615 24$aAsian Politics.
676   $a025.3
700   $aVennes Cheng$b Sau Wai$01753311
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
912   $a9910878045803321
996   $aArchive As Detour$94189159
997   $aUNINA