LEADER 05627nam 2200853 a 450 001 9910789640303321 005 20220520103906.0 010 $a3-11-048237-1 010 $a1-283-40031-6 010 $a9786613400314 010 $a3-11-025402-6 024 7 $a10.1515/9783110254020 035 $a(CKB)2670000000113728 035 $a(EBL)765904 035 $a(OCoLC)748242228 035 $a(SSID)ssj0000559579 035 $a(PQKBManifestationID)11383318 035 $a(PQKBTitleCode)TC0000559579 035 $a(PQKBWorkID)10567157 035 $a(PQKB)10553716 035 $a(MiAaPQ)EBC765904 035 $a(WaSeSS)Ind00009035 035 $a(DE-B1597)123307 035 $a(OCoLC)763160706 035 $a(OCoLC)979970971 035 $a(DE-B1597)9783110254020 035 $a(Au-PeEL)EBL765904 035 $a(CaPaEBR)ebr10502391 035 $a(CaONFJC)MIL340031 035 $z(PPN)202069915 035 $a(PPN)175483418 035 $a(EXLCZ)992670000000113728 100 $a20101222d2011 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aArchaic and classical choral song$b[electronic resource] $eperformance, politics and dissemination /$fedited by Lucia Athanassaki, Ewen Bowie 210 $aBerlin ;$aNew York $cDe Gruyter$dc2011 215 $a1 online resource (572 p.) 225 1 $aTrends in classics. Supplementary volumes,$x1868-4785 ;$vv. 10 300 $aDescription based upon print version of record. 311 0 $a3-11-025401-8 311 0 $a3-11-219044-0 320 $aIncludes bibliographical references and indexes. 327 $tFront matter --$tForeword --$tTable of Contents --$tIntroduction --$tReflections of choral song in early hexameter poetry /$rRichardson, Nicholas --$tAlcman's first Partheneion and the song the Sirens sang /$rBowie, Ewen --$tCyberchorus: Pindar's ????????? and the aura of the artificial /$rPower, Timothy --$tEnunciative fiction and poetic performance. Choral voices in Bacchylides' Epinicians /$rCalame, Claude --$tEros and praise in early Greek lyric /$rRawles, Richard --$tThe parrhesia of young female choruses in Ancient Greece /$rLardinois, André P.M.H. --$tA second look at the poetics of re-enactment in Ode 13 of Bacchylides /$rNagy, Gregory --$tThe Ceians and their choral lyric: Athenian, epichoric and pan-Hellenic perspectives /$rFearn, David --$tSong, politics, and cultural memory: Pindar's Pythian 7 and the Alcmaeonid temple of Apollo /$rAthanassaki, Lucia --$tEpinician choregia: funding a Pindaric chorus /$rCurrie, Bruno --$tPindar and the Aeginetan patrai: Pindar's intersecting audiences /$rMorrison, A. D. --$tOlympians 1-3: A song cycle? /$rClay, Jenny Strauss --$tThe dissemination of Pindar's non-epinician choral lyric /$rHubbard, Thomas --$tChoral self-awareness: on the introductory anapaests of Aeschylus' Supplices /$rKavoulaki, Athena --$tEpinician and tragic worlds: the case of Sophocles' Trachiniae /$rSwift, L. A. --$tAlcman at the end of Aristophanes' Lysistrata: ritual interchorality /$rBierl, Anton --$tAlcman: from Laconia to Alexandria /$rCarey, Chris --$tBibliography --$tList of Contributors --$tIndex of proper names and subjects --$tIndex locorum 330 $aThis book addresses the many interlocking problems in understanding the modes of performance, dissemination, and transmission of Greek poetry of the seventh to the fifth centuries BC whose first performers were a choral group, sometimes singing in a ritual context, sometimes in more secular celebrations of victories in competitive games. It explores the different ways such a group presented itself and was perceived by its audiences; the place of tyrants, of other prominent individuals and of communities in commissioning and funding choral performances and in securing the further circulation of the songs' texts and music; the social and political role of choral songs and the extent to which such songs continued to be performed both inside and outside the immediate family and polis-community, whether chorally or in archaic Greece's important cultural engine, the elite male symposium, with the consequence that Athenian theatre audiences could be expected to appreciate allusion to or reworking of such poetic forms in tragedy and comedy; and how various types of performance contributed to transmission of written texts of the poems until they were collected and edited by Alexandrian scholars in the third and second centuries BC. 410 0$aTrends in classics.$pSupplementary volumes ;$vv. 10. 606 $aGreek poetry$xHistory and criticism$xTheory, etc 606 $aGreek language$xMetrics and rhythmics 606 $aGreek language$xAccents and accentuation 606 $aDrama$xChorus (Greek drama) 606 $aGreek drama (Tragedy)$xHistory and criticism 610 $aArchaic Greece. 610 $aChoruses. 610 $aPan-Hellenism. 610 $aSong Performance. 610 $aTransmission. 615 0$aGreek poetry$xHistory and criticism$xTheory, etc. 615 0$aGreek language$xMetrics and rhythmics. 615 0$aGreek language$xAccents and accentuation. 615 0$aDrama$xChorus (Greek drama) 615 0$aGreek drama (Tragedy)$xHistory and criticism. 676 $a884/.0109 701 $aAthanassaki$b Lucia$f1957-$01503521 701 $aBowie$b Ewen$01112508 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789640303321 996 $aArchaic and classical choral song$93731987 997 $aUNINA LEADER 04671nam 2200721Ia 450 001 9910877099003321 005 20200520144314.0 010 $a1-282-48222-X 010 $a9786612482229 010 $a0-470-68810-6 010 $a0-470-68811-4 035 $a(CKB)2550000000007378 035 $a(EBL)485648 035 $a(SSID)ssj0000335956 035 $a(PQKBManifestationID)11285724 035 $a(PQKBTitleCode)TC0000335956 035 $a(PQKBWorkID)10277208 035 $a(PQKB)10596788 035 $a(MiAaPQ)EBC485648 035 $a(OCoLC)520990381 035 $a(EXLCZ)992550000000007378 100 $a20091113d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aColor management $eunderstanding and using ICC profiles /$fedited by Phil Green 210 $aChichester, West Sussex, U.K. $cWiley$d2010 215 $a1 online resource (316 p.) 225 1 $aThe Wiley-IS&T Series in Imaging Science and Technology ;$vv.17 300 $aDescription based upon print version of record. 311 $a0-470-05825-0 320 $aIncludes bibliographical references and index. 327 $aCOLOR MANAGEMENT: UNDERSTANDING AND USING ICC PROFILES; Contents; About the Editor; Series Editor's Preface; Preface; Part One: General; 1 Introduction; 2 Color Management - A Conceptual Overview; 3 The Role of ICC Profiles in a Color Reproduction System; 4 Common Color Management Workflows and Rendering Intent Usage; 5 Recent Developments in ICC Color Management; 6 Color Management Implementation Classification; 7 ICC Profiles, Color Appearance Modeling, and the Microsoft Windows Color System; 8 Glossary of Terms; Part Two: Version 4; 9 The Reasons for Changing to the v4 ICC Profile Format 327 $a10 ICC Version 2 and Version 4 Display Profile Differences11 Using the sRGB_v4_ICC_preference.icc Profile; 12 Fundamentals of the Version 4 Perceptual Rendering Intent; 13 Perceptual Rendering Intent Use Case Issues; Part Three: Workflows; 14 Using ICC Profiles with Digital Camera Images; 15 RGB Color-Managed Workflow Example; 16 Issues in CMYK Workflows; 17 Orchestrating Color - Tools and Capabilities; 18 Flexible Color Management for the Graphic Arts; Part Four: Measurement and Viewing Conditions; 19 Standards for Color Measurement and Viewing; 20 ICC Recommendations for Color Measurement 327 $a21 Fluorescence in Measurement22 Measurement Issues and Color Stability in Inkjet Printing; 23 Viewing Conditions; Part Five: Profile Construction and Evaluation; 24 Overview of ICC Profile Construction; 25 ICC Profile Internal Mechanics; 26 Use of the parametricCurveType; 27 Embedding and Referencing ICC Profiles; 28 LUT-Based Transforms in ICC Profiles; 29 Populating the Matrix Entries in lutAtoBType and lutBtoAType of Version 4 ICC Profiles; 30 Implementation Notes for SampleICC's IccProfLib; 31 Introducing the New multiProcessingElements Tag Type; 32 Inverting ICC Profiles 327 $a33 Evaluating Color Transforms in ICC Profiles34 Profile Compliance Testing with SampleICC; Index 330 $aColor Management serves as a comprehensive guide to the implementation of the ICC (International Color Consortium) profile specification, widely used for maintaining color fidelity across multi-media imaging devices and software. 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