LEADER 06212nam 2200745Ia 450 001 9910877045103321 005 20200520144314.0 010 $a9781118142882 010 $a1118142888 010 $a9781118142899 010 $a1118142896 010 $a9781118142912 010 $a1118142918 024 7 $a10.1002/9781118142882 035 $a(CKB)2670000000128109 035 $a(EBL)693180 035 $a(SSID)ssj0000622323 035 $a(PQKBManifestationID)11386319 035 $a(PQKBTitleCode)TC0000622323 035 $a(PQKBWorkID)10643515 035 $a(PQKB)10515990 035 $a(MiAaPQ)EBC693180 035 $a(CaBNVSL)mat08039862 035 $a(IDAMS)0b00006485f0dd64 035 $a(IEEE)8039862 035 $a(CaSebORM)9780470195369 035 $a(OCoLC)761321886 035 $a(PPN)251098400 035 $a(OCoLC)817745556 035 $a(OCoLC)ocn817745556 035 $a(EXLCZ)992670000000128109 100 $a20111130d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSpeech and audio signal processing $eprocessing and perception of speech and music /$fBen Gold, Nelson Morgan, Dan Ellis ; with contributions from Herve Bourlard ... [et al.] 205 $a2nd ed. 210 $aHoboken, N.J. $cWiley$dc2011 215 $a1 online resource (686 p.) 300 $aDescription based upon print version of record. 311 08$a9780470195369 311 08$a0470195363 320 $aIncludes bibliographical references and index. 327 $aPREFACE TO THE 2011 EDITION xxi -- CHAPTER 1 INTRODUCTION 1 -- PART I HISTORICAL BACKGROUND -- CHAPTER 2 SYNTHETIC A UDIO: A BRIEF HISTORY 9 -- CHAPTER 3 SPEECH ANALYSIS AND SYNTHESIS OVERVIEW 21 -- CHAPTER 4 BRIEF HISTORY OF AUTOMATIC SPEECH RECOGNITION 40 -- CHAPTER 5 SPEECH-RECOGNITION OVERVIEW 59 -- PART II MATHEMATICAL BACKGROUND -- CHAPTER 6 DIGITAL SIGNAL PROCESSING 73 -- CHAPTER 7 DIGITAL FILTERSAND DISCRETE FOURIER TRANSFORM 87 -- CHAPTER 8 PATTERN CLASSIFICATION 105 -- CHAPTER 9 STATISTICAL PATTERN CLASSIFICATION 124 -- PART III ACOUSTICS -- CHAPTER 10 WAVE BASICS 141 -- CHAPTER 11 ACOUSTIC TUBE MODELING OF SPEECH PRODUCTION 152 -- CHAPTER 12 MUSICAL INSTRUMENT ACOUSTICS 158 -- CHAPTER 13 ROOM ACOUSTICS 179 -- PART IV AUDITORY PERCEPTION -- CHAPTER 14 EAR PHYSIOLOGY 193 -- CHAPTER 15 PSYCHOACOUSTICS 209 -- CHAPTER 16 MODELS OF PITCH PERCEPTION 218 -- CHAPTER 17 SPEECH PERCEPTION 232 -- CHAPTER 18 HUMAN SPEECH RECOGNITION 250 -- PART V SPEECH FEATURES -- CHAPTER 19 THE AUDITORY SYSTEM AS A FILTER BANK 263 -- CHAPTER 20 THE CEPSTRUM AS A SPECTRAL ANALYZER 277 -- CHAPTER 21 LINEAR PREDICTION 286 -- PART VI A UTOMATIC SPEECH RECOGNITION -- CHAPTER 22 FEATURE EXTRACTION FOR ASR 301 -- CHAPTER 23 LINGUISTIC CATEGORIES FOR SPEECH RECOGNITION 319 -- CHAPTER 24 DETERMINISTIC SEQUENCE RECOGNITION FOR ASR 337 -- CHAPTER 25 STATISTICAL SEQUENCE RECOGNITION 350 -- CHAPTER 26 STATISTICAL MODEL TRAINING 364 -- CHAPTER 27 DISCRIMINANT ACOUSTIC PROBABILITY ESTIMATION 381 -- CHAPTER 28 ACOUSTIC MODEL TRAINING: FURTHER TOPICS 394 -- CHAPTER 29 SPEECH RECOGNITION AND UNDERSTANDING 416 -- PART VII SYNTHESIS AND CODING -- CHAPTER 30 SPEECH SYNTHESIS 431 -- CHAPTER 31 PITCH DETECTION 455 -- CHAPTER 32 VOCODERS 473 -- CHAPTER 33 LOW-RATE VOCODERS 493 -- CHAPTER 34 MEDIUM-RATE AND HIGH-RATE VOCODERS 505 -- CHAPTER 35 PERCEPTUAL A UDIO CODING 531 -- PART VIII OTHER APPLICATIONS -- CHAPTER 36 SOME ASPECTS OF COMPUTER MUSIC SYNTHESIS 553 -- CHAPTER 37 MUSIC SIGNAL ANALYSIS 567 -- CHAPTER 38 MUSIC RETRIEVAL 581. 327 $aCHAPTER 39 SOURCE SEPARATION 59 -- CHAPTER 40 SPEECH TRANSFORMATIONS 617 -- CHAPTER 41 SPEAKER VERIFICATION 633 -- CHAPTER 42 SPEAKER DIARIZATION 644. 330 $aHelps readers develop an intuitive understanding of audio signal processing Acclaimed for its breadth of coverage as well as its clear, accessible presentation, Speech and Audio Signal Processing examines how machines and humans process audio signals, with an emphasis on speech and music. It begins with basic principles and then explains how these principles set the foundation for a wide range of applications. Moreover, the book is organized into a series of short chapters, offering readers a succinct overview of the range of topics that together represent the current state of knowledge in the field. This Second Edition brings the book fully up to date with the explosive growth in audio processing technology, including the latest advances in digital music processing and distribution. New topics include: . Psychoacoustic audio coding, examining MP3 and related audio coding schemes that are based on the psychoacoustic masking of quantization noise . Music transcription, explaining how notes, beats, and chords can be automatically derived from music signals . Music information retrieval, exploring audio-based genre classification, artist and style identification, and similarity estimation . Audio source separation, describing multi-microphone beamforming, blind source separation, and perception-inspired techniques Throughout the book, the authors present both human and machine strategies for accomplishing audio processing tasks. Readers will discover that, in many cases, human strategies can provide the inspiration for the development of machine strategies. Speech and Audio Signal Processing is recommended for anyone who needs to understand the technologies underlying some of today's most cutting-edge applications, including speech recognition, audio compression, music synthesis, and diarization. 606 $aSpeech processing systems 606 $aSignal processing$xDigital techniques 606 $aElectronic music 615 0$aSpeech processing systems. 615 0$aSignal processing$xDigital techniques. 615 0$aElectronic music. 676 $a621.3822 700 $aGold$b Bernard$013841 701 $aMorgan$b Nelson$052785 701 $aEllis$b Dan$01621380 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910877045103321 996 $aSpeech and audio signal processing$93954629 997 $aUNINA