LEADER 04081nam 22006135 450 001 9910874662603321 005 20250807130535.0 010 $a9783658429157 010 $a3658429151 024 7 $a10.1007/978-3-658-42915-7 035 $a(MiAaPQ)EBC31534308 035 $a(Au-PeEL)EBL31534308 035 $a(CKB)33030842800041 035 $a(DE-He213)978-3-658-42915-7 035 $a(EXLCZ)9933030842800041 100 $a20240717d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTelevision Studies and Research on Series $eTheory, history and present of (post-)televisual seriality /$fedited by Denis Newiak, Dominik Maeder, Herbert Schwaab 205 $a1st ed. 2024. 210 1$aWiesbaden :$cSpringer Fachmedien Wiesbaden :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (310 pages) 311 08$a9783658429140 311 08$a3658429143 327 $aContributions on: Television as a plural and transmedial concept? -- Spatialized transmediality - processual seriality -- Historical perspectives in the 'quality series' discourse of the television industry -- Television series against late modern loneliness: Forms of telemedial communion exemplified by 13 Reasons Why -- On expelling television from the television series: reality TV and staggered seriality -- Evidence in series? Time and reality references of serial television formats in the digital transformation -- Game in series - Black Mirror: Bandersnatch. 330 $aTelevision series enjoy an unbroken ? popular as well as scholarly ? attention. It is surprising, however, that in works on seriality in media and cultural studies, approaches to television studies and television history still play a rather minor role. Yet seriality must always be thought of in terms of television, since the two have always been indissolubly interwoven ? economically, technically, and aesthetically. But what else constitutes the serial in television and how does it change its face in times of digitalization, streaming and interactivity? Is it possible to think of a genuine serial theory of the televisual ? and what, in turn, can be learned from this for seriality beyond television? The essays in this volume shed new light on the serial as a core principle of television, thus providing new impulses for a television theory of the serial on the basis of examples from the current range of television series. The Editors Dr. Denis Newiak is a research associate at the Chair of Applied Media Studies at the Brandenburg University of Technology Cottbus-Senftenberg. Dr. Dominik Maeder is an independent researcher. Dr. Herbert Schwaab is a senior academic councillor at the Institute for Information and Media, Language and Culture at the University of Regensburg. This book is a translation of an original German edition. The translation was done with the help of artificial intelligence (machine translation by the service DeepL. com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation. . 606 $aTelevision broadcasting 606 $aMotion pictures$xHistory 606 $aMotion pictures 606 $aTelevision Studies 606 $aFilm and TV History 606 $aGlobal Film and TV 606 $aAudio-Visual Culture 615 0$aTelevision broadcasting. 615 0$aMotion pictures$xHistory. 615 0$aMotion pictures. 615 14$aTelevision Studies. 615 24$aFilm and TV History. 615 24$aGlobal Film and TV. 615 24$aAudio-Visual Culture. 676 $a791.45 700 $aNewiak$b Denis$01645622 701 $aMaeder$b Dominik$01749749 701 $aSchwaab$b Herbert$01749750 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910874662603321 996 $aTelevision Studies and Research on Series$94184007 997 $aUNINA