LEADER 01327nam--2200397---450- 001 990000497540203316 010 $a0-08-037064-0 035 $a0049754 035 $aUSA010049754 035 $a(ALEPH)000049754USA01 035 $a0049754 100 $a20010608d1992----km-y0itay0103----ba 101 $aeng 102 $aGB 105 $a||||||||001yy 200 1 $aConcise encyclopedia of polymer processing & applications$feditor Patrick J. Corish$gexecutive editor Robert W. Cahn$gsenior advisory editor Michael B. Bever 210 $aOxford$cPergamon press$dc1992 215 $aXX, 771 p.$cill.$d26 cm 225 2 $aAdvances in materials science and engineering 410 $12001$aAdvances in materials science and engineering 461 1$1001-------$12001 606 0 $aPolimeri$xEnciclopedie e edizionari 676 $a668.903 701 21$aCAHN,$bRobert W.$052381 702 1$aCORISH,$bPatrick J. 702 1$aBEVER,$bMichael B. 801 0$aIT$bsalbc$gISBD 912 $a990000497540203316 951 $a668.903 CON$b9909 ING$c668.903 959 $aBK 969 $aTEC 979 $aPATTY$b90$c20010608$lUSA01$h1347 979 $c20020403$lUSA01$h1658 979 $aPATRY$b90$c20040406$lUSA01$h1634 996 $aConcise encyclopedia of polymer processing & applications$9887643 997 $aUNISA LEADER 05166nam 22005413 450 001 9910866361703321 005 20240702084504.0 010 $a1-003-70270-8 010 $a1-04-077408-3 010 $a90-485-5588-4 024 7 $a10.1515/9789048555888 035 $a(MiAaPQ)EBC31502920 035 $a(Au-PeEL)EBL31502920 035 $a(CKB)32609784200041 035 $a(DE-B1597)685436 035 $a(DE-B1597)9789048555888 035 $a(ScCtBLL)38505808-f191-435d-b299-b7e1dfdae907 035 $a(OCoLC)1443939074 035 $a(EXLCZ)9932609784200041 100 $a20240702d2024 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRemapping the Cold War in Asian Cinemas 205 $a1st ed. 210 1$aAmsterdam :$cAmsterdam University Press,$d2024. 210 4$dİ2024. 215 $a1 online resource (336 pages) 225 1 $aCritical Asian Cinemas Series ;$vv.6 311 08$a94-6372-727-2 327 $tFrontmatter -- $tAcknowledgment -- $tTable of Contents -- $tList of Illustrations -- $t1. Introduction: Locating "Asia" in the Cinematic Cold War -- $tPart One Cinematic Constructions of the Cold War in Asia -- $t2. Taiwanese-Language Cinema as Cold War Industry and Culture : Compliance without Commitment -- $t3. Landscape, Identity, and War : The Poetic Revolutionary Cinema of North Vietnam -- $t4. Screening the Cold War in Cambodia : The Films of Norodom Sihanouk and Rithy Panh -- $t5. Islam and the Cultural Cold War : Tauhid and the Quest for the Modern Muslim -- $tPart Two Cold War Geopolitics in Asian Cinemas -- $t6. Third World, First World: Ishihara Y?jir? as a Cold War Star -- $t7. Right Screen in Hong Kong : Chang Kuo-sin's Asia Pictures and The Heroine -- $t8. Cold War Myth from Elite Democracy to Martial Law in the Genre Cinema of Fernando Poe Jr. in the 1960s and 1970s -- $t9. Silver Screen Reversals of the Domino Theory : American Cold War Movies and the Re-imagining of Britain's Experience in Southeast Asia -- $t10. Ugly Americans and Indeterminate Asians : Strategies/Symptoms of Southeast Asian Representation in Cold War US Film -- $tPart Three Cold War Film Genres -- $t11. Counter-Occupying Americanism in South Korea and Taiwan : Taking Back the Spaces of US Base Culture in the Cold War Musical Number -- $t12. SOS Hong Kong: Coproducing Espionage Films in Cold War Asia -- $t13. Cosmopolitan K?jedo : Swing Kids (2018) and Historical Memories of the Korean War -- $t14. Spectacle of Violence and the Beiqing Masculine : Post-War Structure of Feeling in Taiwan Pulp -- $tPart Four The Long Shadow of the Cold War in Contemporary Asian Cinemas -- $t15. Memories of the Future : Speculative Cold War Histories in Yosep Anggi Noen's The Science of Fictions and Daniel Hui's Snakeskin -- $t16. A Frozen Fraternity : Kung Fu Yoga and Cold War Archaeologies -- $tIndex 330 $aThis book is about cinema and the cultural Cold War in Asia, set against the larger history of the cultural, political, and institutional linkages between the US, Europe, and Asia at the height of the Cold War. From the popularity of CIA-sponsored espionage films in Hong Kong and South Korea to the enduring Cold War rhetoric of brotherly relations in contemporary Sino-Indian co-production, cinema has always been a focal point of the cultural Cold War in Asia. Historically, both the United States and the Soviet Union viewed cinema as a powerful weapon in the battle to win hearts and minds-not just in Europe, but also in Asia. The Cold War in Asia was, properly speaking, a hot war, with proxy military confrontations between the United States, on one side, and the Soviet Union and China on the other. Amid this political and military turbulence, cataclysmic shifts occurred in the culture and history of Asian cinemas as well as in the latitude of US cultural diplomacy in Asia. The collection of essays in this volume sheds light on the often-forgotten history of the cultural Cold War in Asia. Taken together, the volume's fifteen chapters examine film cultures and industries in Asia to showcase the magnitude and depth of the Cold War's impact on Asian cinemas, societies, and politics. By shifting the lens to Asia, the contributors to this volume re-examine the dominant narratives about the global Cold War and highlight the complex and unique ways in which Asian societies negotiated, contested, and adapted to the politics and cultural manifestations of the Cold War. 410 0$aCritical Asian Cinemas Series 606 $aHISTORY / Asia / Korea$2bisacsh 610 $aCinema and Cold War, Cultural Cold War, Film History, Cinema and Politics, Psychological War, Southeast Asian Cinema, East Asian Cinema, South Asian Cinema. 615 7$aHISTORY / Asia / Korea. 676 $a791.436582825 700 $aLee$b Sangjoon$01765409 701 $aEspena$b Darlene$01765410 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910866361703321 996 $aRemapping the Cold War in Asian Cinemas$94207060 997 $aUNINA