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035   $a(Liverpool University Press)10.3828/9781802075885
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101 0 $aeng
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181   $ctxt$2rdacontent
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183   $acr$2rdacarrier
200 10$aBreaking the Dead Silence $eEngaging with the Legacies of Empire and Slave-Ownership in Bath and Bristol's Memoryscapes
205   $a1st ed.
210  1$aLiverpool :$cLiverpool University Press,$d2024.
210  4$d©2024.
215   $a1 online resource (424 pages)
225 1 $aLiverpool Studies in International Slavery Series ;$vv.22
311   $a1-80207-588-7 
327   $aCover -- Contents -- List of Illustrations -- Acknowledgements -- INTRODUCTION: Breaking the ?dead silence? --   Engaging with legacies of transatlantic slavery in the memoryscapes of Bath and Bristol --     Christina Horvath and Richard S. White -- PART I: STRATEGIES FOR A CRITICAL QUESTIONING OF OFFICIAL HERITAGE -- 1 An agonistic approach to heritage dissonance in the memoryscapes of Bath and Bristol --   Anna Cento Bull and Christina Horvath -- 2 The agonistic potential of Co-Creation --   Breaking the silence about slavery legacies in the UNESCO World Heritage City of Bath --     Christina Horvath -- 3 Splendour from slavery --   Contesting the Pulteney legacy in Bath --     Bryn Jones and Phil de Souza -- 4 Memorialisation and 
counter-memorialisation --   Competing narratives of Bristol?s involvement 
in slavery --     Mark Steeds -- PART II: RADICAL MULTIPERSPECTIVISM IN BATH AND BRISTOL -- 5 A cricket match remembered --   Personal narratives and oral histories in Bath?s memoryscape --     John Payne -- 6 My roots and routes --   Memoryscapes of the transatlantic trade in enslaved Africans --     Roger Griffith -- 7 No justice. No peace (while Black) --   Renée Jacobs -- 8 Navigating personal and professional pathways towards the telling of Bath?s African-connected histories --   Polly Andrews and Shawn-Naphtali Sobers$7Generated by AI.
330   $aThis book examines the legacies of empire and slave ownership in the memoryscapes of Bath and Bristol. Edited by Christina Horvath and Richard S. White, it offers a critical discourse on how these cities engage with their historical narratives related to slavery. The text explores themes of heritage dissonance, the potential of co-creation, and the use of arts-based approaches to understand and address these legacies. Aimed at historians, sociologists, and those interested in cultural heritage, the book seeks to uncover hidden connections and foster discussion on uncomfortable historical truths. It also highlights contemporary movements like Black Lives Matter in relation to historical activism.$7Generated by AI.
410  0$aLiverpool Studies in International Slavery Series
517   $aBreaking the Dead Silence 
606   $aSlavery$zGreat Britain$7Generated by AI
606   $aCollective memory$7Generated by AI
615  0$aSlavery
615  0$aCollective memory.
676   $a325.3
700   $aHorvath$b Christina$01235165
701   $aWhite$b Richard S$023632
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906   $aBOOK
912   $a9910865296003321
996   $aBreaking the Dead Silence$94168831
997   $aUNINA